234 – Dear Evan Hansen (with Adam Grosswirth!)

To settle your post-Oscar hangover, we’re cracking open the Class of 2021 films this week and we’ve invited Muppeturgy co-host Adam Grosswirth to join us. Dear Evan Hansen follows a titular teen battling severe social anxiety, who fabricates a friendship with his bully after he dies by suicide, and faces the consequences of his lie when he goes viral. After emerging victorious from the 2017 Tonys with a Best Musical win and cementing star Ben Platt’s performance into theatre legend, the musical was destined for a whole other kind of THOB legend. Once the trailer dropped, skepticism and mockery of the near-30 Platt playing a teen went rampant, and vicious reviews made the film DOA.

This episode, we unpack the many problems inherent to the material and the attempts to soften them on film that only… make more problems. We also discuss the 2017 Tony season, Julianne Moore attempting the risk of a singing role, Amy Adams disappointing recent years, and the origins of the songwriting oeuvre of Benj Pasek and Justin Paul.

Topics also include The Politician, director Stephen Chbosky’s association to multiple failed movie musicals, and orchard confusion.

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208 – This Is Where I Leave You

It’s time to sit shiva with a slew of stars and 2014′s This Is Where I Leave You. Adapted from Jonathan Tropper from his own novel and directed by Night at the Museum’s Shawn Levy, the film casts Jason Bateman as a man whose life falls apart at the hour of his father’s death. His mother, played by Jane Fonda, then tasks the entire family to sit shiva in his honor and seriocomic hijinks ensue. Levy would cast a feast of famous and noteworthy names to fill out the friends and family (including Tina Fey, Adam Driver, Rose Byrne, Kathryn Hahn, Corey Stoll, and more), but their combined skills were not enough to lift the film’s dated humor and stuck-in-neutral emotions off the ground.

The film debuted as a TIFF gala and was critically dismissed, with audiences feeling similarly underwhelmed upon release a few weeks later. This week, we talk about how the film sidesteps around a quite non-Jewish cast and where it places in the Fonda’s late-career era. We also discuss Fey’s limitations with her many crying scenes, our favorite performances from the Girls, and the 2014 TIFF lineup.

Topics also include Fonda’s most recent Oscar nomination for The Morning After, Tonys being awarded to movie stars, and the Wine Country Film Festival.

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