Month: April 2026

389 – The Manchurian Candidate

If you make a remake to a cinema classic (and Oscar nominee), chances are the buzz starts there. But in revamping The Manchurian Candidate to the post-9/11 culture, Oscar winning director also added the pedigree of recent winner Denzel Washington and then-recent nomination record breaker Meryl Streep, the buzz multiplied. But this version of a paranoia thriller about a political candidate whose brain has been hijacked was a mild summer success, kept only in the race by Streep in villain mode.

This episode, we talk about whether or not the material comfortably fits in with the era’s concerns and the period after Washington won his second Oscar. We also discuss Liev Schreiber breaking out of Cotton Weary mold, the film’s pseudo-incestuous bath scene, and a double Six Timer hottie quiz for Washington and Schreiber.

Topics also include surprise Ann Dowd, the 2004 Supporting Actress race, and sleeper cell activation phrases.

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388 – La Chimera

We’re talking about one of our favorite films of the 2020’s this week with Alice Rohrwacher’s La Chimera. Told with magical realism and an earthy bespoke quality, the 2023 film follows Josh O’Connor as a British archaeologist in Italy who belongs to a crew of tombaroli, grave robbers who sells off their findings. With O’Connor speaking mostly in Italian, the film launched to strong reviews at Cannes but had its fate sealed when Italy chose not to select the film for International Feature.

This episode, we talk about the film’s qualifying release that left it underdiscussed in 2023 and it’s surprisingly long run at New York’s IFC Center. We also talk about Anatomy of a Fall‘s Oscar success despite not being its country’s submission either, Neon’s 2023 Cannes lineup, and O’Connor as king of the last day of Cannes.

Topics also include the linen suit in the film, Rohrwacher’s previous films, and Palme Dog.

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387 – Ain’t Them Bodies Saints

As maverick director David Lowery returns to theatres this week with Mother Mary, we’re looking back at his 2013 film Ain’t Them Bodies Saints. The film follows two Texas lovers played by Casey Affleck and Rooney Mara torn apart by a showdown with local police, where he accepts guilt and jail time when she shoots a police officer. The film is an unpacking of romantic outlaw myths that caused a stir at the Sundance Film Festival and helped establish Lowery as one of the most unpredictable directors working today.

This episode, we talk about the influence of Terrence Malick’s Badlands on the film and Lowery’s subversion of story expectations. We also discuss Mara’s filmography between Oscar nominations, Ben Foster’s emergence into character roles, and beloved cinematographer Bradford Young.

Topics also include the 2013 Sundance Film Festival, Santa’s WikiFeet rating, and Chris’s favorite Huppert performance.

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386 – Contagion

With The Christophers finally arriving in theatres, we are returning to the ever-evolving filmography of director Steven Soderbergh. In the period of his one-for-you-one-for-me jostling between micro budgets and mainstream fare, 2011 offered his paranoid eco-thriller Contagion about a virus that overtakes the world. Though the film was an early fall box office success with major Oscar winners as Matt Damon, Gwyneth Paltrow, Kate Winslet, and Marion Cotillard, Warner Bros. only launched the film’s campaign at the end of the season. A decade later, the film would become a major mass rewatch for… totally normal, everyday reasons!

This episode, we talk about Soderbergh’s period between Oscar and “retirement” and Paltrow joins our Ten Timers club. We also talk about Laurence Fishburne and Jennifer Ehle as best in show, our reticence to watch the film during COVID, and Soderbergh’s current underrated era.

Topics also include Paltrow’s terrifying death scene, the 2011 Venice Film Festival, and the Saturn Awards.

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