412 – The Immigrant

James Gray’s Paper Tiger arrives this week and with it, further hopes that the auteur Gray finally receives his due. So naturally this week we are discussing the urtext of “Justice for James Gray” narratives, his Marion Cotillard-led The Immigrant. Inspired by Gray’s own lineage, the film stars Cotillard as a Polish immigrant who arrives to America and faces exploitation in order to free her sister, given “safe” haven by a pimp burlesque owner (Joaquin Pheonix). Held captive by The Weinstein Company for nearly a year, the film ultimately received a small release but massive critical word of mouth.

This week, we talk about the wrangling with Weinstein to release the film as Gray envisioned it and how Gray’s trademark narrative approach avoids storytelling cliches. We also discuss how Cotillard was ultimately nominated this year for Two Days, One Night, Jeremy Renner in franchise overload, and Phoenix’s discomfort at playing some of his character’s cruelties.

Topics also include 2014 Best Actress, the 2013 Cannes Film Festival, and cinematographer Darius Khondji.

220 – The Lost City of Z (with Katey Rich)

It wouldn’t be Thanksgiving without a little tradition, so naturally Vanity Fair’s Katey Rich makes her annual return to us this week to discuss James Gray’s The Lost City of Z. The film had a long pre-production history, including promises of Brad Pitt in the lead, that long positioned it as the film that might finally garner Gray some awards attention. Finally produced and with Charlie Hunnam replacing Pitt, the film made its world premiere at the 2016 New York Film Festival without distribution and received strong reviews. Though Amazon picked up the film, they held its release until the spring, effectively killing its awards chances.

This episode, we discuss our shared love for the film and talk about Gray’s Oscar-elusive approach to material and his chances this season with Armageddon Time. We also talk about Sienna Miller face blindness, Robert Pattinson’s move towards auteur directors post-Twilight, and Amazon’s auteur-heavy 2017 crop of films.

Topics also include renting VCRs, Darius Khondji’s luminous Lost City cinematography, and 2017 as the best Best Picture year post-expansion.

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