Tag: Harry Melling

368 – The Devil All the Time (with Katey Rich!)

The Devil All The Time: Tom Holland as Arvin Russell. Photo Cr. Glen Wilson/Netflix © 2020

Our annual Thanksgiving tradition means The Ankler’s Katey Rich is back! And this year, we’re got a stone cold bummer to go with the turkey! In 2020, while we were all stuck in our homes, Netflix delivered a lockdown crime saga hit with The Devil All the Time. Directed by Antonio Campos, the film follows several generations in rural America as their family history is engulfed in religion and murder between American wars. With a cast of famous young stars like Tom Holland and Robert Pattison, the film garnered strong reactions to its grim tale but no ultimate awards payoff.

This episode, we’re talking about Antonio Campos’ independent cinema rise and later television work. We also talk about Netflix in 2020, Holland balancing Spider-Man with other projects, and umm… what the hell is going on with Pattinson in this movie.

Topics also include accents, covid coping, and Thanksgiving gender binaries.

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220 – The Lost City of Z (with Katey Rich)

It wouldn’t be Thanksgiving without a little tradition, so naturally Vanity Fair’s Katey Rich makes her annual return to us this week to discuss James Gray’s The Lost City of Z. The film had a long pre-production history, including promises of Brad Pitt in the lead, that long positioned it as the film that might finally garner Gray some awards attention. Finally produced and with Charlie Hunnam replacing Pitt, the film made its world premiere at the 2016 New York Film Festival without distribution and received strong reviews. Though Amazon picked up the film, they held its release until the spring, effectively killing its awards chances.

This episode, we discuss our shared love for the film and talk about Gray’s Oscar-elusive approach to material and his chances this season with Armageddon Time. We also talk about Sienna Miller face blindness, Robert Pattinson’s move towards auteur directors post-Twilight, and Amazon’s auteur-heavy 2017 crop of films.

Topics also include renting VCRs, Darius Khondji’s luminous Lost City cinematography, and 2017 as the best Best Picture year post-expansion.

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