240 – Private Life

We have another movie we adore to discuss this week! Writer/director Tamara Jenkins has long gaps between films, but has nevertheless delivered an all-killer-no-filler lineup, beginning in the late 1990s with Slums of Beverly Hills and returning a decade later with the Oscar-nominated The Savages. Her next film another decade later, Private Life, starred Kathryn Hahn and Paul Giamatti as New York creatives going through every hurdle to have a baby, including considering their adrift niece (played by Kayli Carter) as a surrogate. The film was a part of Netflix’s awards slate, but didn’t receive nearly the push as some of the streamer’s other films in their awards slate, but we will always eagerly await the next Tamara Jenkins project.

This episode, we talk about Kathryn Hahn’s formidable career of praised (and sometimes undersign) television performances, and the culmination of appreciation for the actress around WandaVision. We also discuss Giamatti’s “shady record exec” period, Netflix’s emergence as an awards player, and Hahn’s appearance in the THR Actress Roundtable and swooning for Rachel Weisz.

Topics also include the AARP Movies for Grownups qualifications for Best Grownup Love Story, Applebee’s menus, and John Carroll Lynch joins our Six Timers Club.

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Joe: @joereid
Chris: @chrisvfeil

Class of 2021

We finally have this year’s set of Oscar nominations, so that means it’s time for our Class of 2021 episode! This episode, we look back on the almost-was of the past awards season with films that received zero Oscar nominations, including in categories of Most Forgettable, Happiest Miss, and Saddest Snub. We also add a category for films we’re bummed we can’t discuss in future episodes, and you can guess what gets a mention there! And it all ends with picking the films we vow to cover first on the podcast, and a rundown of other films that were on the Oscar hunt at some point in the year. Topics also include saying farewell to Lady Gaga’s Oscar campaigning, the two categories that voted for the same five movies for the first time in over 50 years, and a Captain Planet lineup of Reba McEntires.

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Joe: @joereid
Chris: @chrisvfeil

110 – The Meyerowitz Stories (New and Selected)

Netflix and the Academy have had a rapidly evolving relationship in the past several years. This week, we look at the short trajectory from demonstrative shutout for Beasts of No Nation to a potential domination this season with a discussion of their 2017 awards also-ran The Meyerowitz Stories (New and Selected). The less heralded and less seen of Noah Baumbach’s two films for the streaming giant stars Adam Sandler, Ben Stiller, and Elizabeth Marvel as extended siblings coping with their difficult father’s (Dustin Hoffman) waning health – and we kind of adore it.

Launched at the Cannes Film Festival (along with Okja) to boos at the sight of the Netflix logo, the film got lost in the shuffle for both critics and streamer-averse awards voters. Though Netflix would break through major categories that year with Mudbound, the streamer stigma would continue to play out in future seasons. This week, we’re talking about the whole Netflix thing, Noah Baumbach’s long break with Oscar post-The Squid and the Whale, and “Myron/Byron”.

Topics also include Marvel’s underrated performance, the 2017 Best Original Song nominees, and Sigourney Weaver introducing herself as herself.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil