Cate Blanchett – This Had Oscar Buzz

269 – Eyes Wide Shut

Listeners have been asking for this episode for years and today, Santa is bringing it to you! Happy Holidays, it’s time for Eyes Wide Shut! In 1999, the film was hotly anticipated for many reasons: it starred Hollywood’s most famous couple, it was the final film of master of masters Stanley Kubrick, its very long production was hounded by the press, and it promised lots of onscreen sex. Adapted from Arthur Schnitzler’s Traumnovelle, the film cast Tom Cruise as a doctor who goes on an odyssey of sexual obsession after his wife (a haunting Nicole Kidman) confesses to an unrequited sexual fantasy about a stranger. A ritual orgy, Todd Field playing jazz piano, and a flirty Alan Cumming followed, and baffled audiences reacted viciously.

This episode, we discuss the film’s initial negative reaction from audiences and critics alike and its contemporary reassessment. We also talk about its formative place in Kidman’s emphasis on auteurs, how the film unpacks Cruise’s screen persona, and the film’s mystery box marketing.

Topics also include Sidney Pollack barechested in suspenders, the film’s censored orgy, and the Blockbuster Entertainment Awards.

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213 – Where’d You Go, Bernadette

As Cate Blanchett inches towards a possible third acting Oscar with this week’s Tár, we look back at the quickly forgotten Where’d You Go, Bernadette. Based on the praised novel by Maria Semple about an eccentric former architect’s disappearance, the film paired Blanchett with director Richard Linklater (and reunited her with actor Billy Crudup, playing her husband) and faced numerous delays from distributor Annapurna despite its pedigree. Linklater streamlined the novel’s techno-epistolary structure, resulting in a more straightforward film that lost much of the novel’s unique comic tone and character insights. Though Blanchett would earn a Best Actress in a Musical or Comedy nomination at the Globes, the film was already long forgotten at that point of the season.

This episode, Blanchett joins our Six Timers Club and we talk about the barrier of entry to third acting Oscar wins. We also look at Crudup’s filmography and his shockingly paltry lack of awards love, Linklater as a director hard to pin down to a career narrative, and Annapurna’s bumpy and brief road from production company to distributor.

Topics also include “prepandemic” as a concept, Broadway actors telling stories at benefits, and Tyra interviewing Beyoncé.

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167 – The Life Aquatic with Steve Zissou

We’ll get you a red cap and a speedo for this week’s episode, becuase we’re talking about Wes Anderson for the first time with The Life Aquatic with Steve Zissou. The follow-up to Anderson’s first Oscar-nominated film The Royal Tenenbaums put Bill Murray front and center in the year after Murray almost won Best Actor for Lost in Translation. But critics were far less kind to this film than Anderson’s previous efforts (it remains his only rotten movie on RT), and voters looking to reward Murray for his previous loss were met with a more caustic and off-putting character than hid lauded “sad Murray” era.

This episode, we look back at how Murray was shockingly snubbed for Anderson’s Rushmore and the ebbs and flows of Anderson’s career in relation to audience/critic perceptions. And since no performance in a Wes Anderson film has ever landed an Oscar nomination, we pick our top 5 performances in his films we think are most deserving.

Topics also include Seu Jorge’s David Bowie covers in Portuguese, whether or not Ray is appropriately categorized as a musical, and which performance in The French Dispatch has the best chance at a nomination.

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150 – The Shipping News

We’re marking a milestone this week with our 150th episode. And for such a momentous occasion, we’re finally digging in to one of the most notorious films of THOB history with Lasse Lasse Hallström’s The Shipping News. Adapted from Annie Proulx’s Pulitzer Prize winning novel, the film cast Kevin Spacey as a meak man who uproots his life to his Newfoundland home after the tragic death of his wife, Petal (Cate Blanchett). Also starring awards magnets Julianne Moore and Dame Judi Dench, the film had massive on-paper goods that went down in flames when the film faceplanted onto screens on Christmas Day, earning dismal reviews for its ungraceful handling of a literary work.

Especially cursed in retrospect for all of the obvious reasons, the film also met a Hallström backlash after Chocolat and The Cider Houses Rules back-to-back. This episode, we look at Miramax’s 2001 awards contender reshuffling and the film’s shockingly robust precursor tally, including a Best Picture nomination from the Critics Choice Awards. We also revisit our past Judi Dench episodes and our list of superlatives for episodes 101-150.

Topics also include the film’s absolutely bonkers character names, seal flipper pie as the best part of its love story, and Cate Blanchett’s 2001 triptych of critics prize awarded performances.

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057 – Truth

Not only are we Oscar historians here on This Had Oscar Buzz, we are also the Illuminati of Vanderbilts. This week, we look at the directorial debut of Zodiac screenwriter James Vanderbilt Truth. Detailing 60 Minutes’ expose on President George W. Bush’s military service that ended in Dan Rather’s demise, the film starred Cate Blanchett as producer Mary Mapes and Robert Redford as Rather and died a quick death at the box office despite being a great on-paper Oscar prospect.

Also the film’s best chance at Oscar was overshadowed by herself – Blanchett (though great in Truth) also had a little movie that year called Carol that she ultimately was nominated for and earned even higher praise. But perhaps Truth was also compared against Spotlight, another true journalism story and the eventual Best Picture winner.

This week, we discuss the 2015 Oscar race at large, Redford’s late-career Oscar close calls, and how Zodiac was underappreciated in its initial release. Last call for Mailbag episode questions! Send us your questions to [email protected] and @Had_Oscar_Buzz on Twitter!

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044 – The Missing (2003 – Part One)

With this episode, we officially begin our month-long miniseries on the 2003 Oscar year! We are beginning with a high profile failure from a major director: Ron Howard’s The Missing starring Cate Blanchett and Tommy Lee Jones. After winning the Oscar in 2001 for A Beautiful Mind, Ron Howard aimed to cash in on that earned prestige by fulfilling his dream of making a western. After leaving Disney’s The Alamo in the dust, he settled on this story of kidnapping and father-daughter forgiveness. But audience’s had long since grown bored by the genre and the Academy similarly ignored the film.

This episode we discuss how this film represents the big studio failures from major directors within this Oscar year and how it ultimately fails to bring life to a dead genre. We also look at the legacy of Howard’s Director nomination snub for Apollo 13, the many ways westerns have been reimagined in recent years, and how The Missing blurred into the mass of the season’s period epics.

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037 – The Gift

Before Sam Raimi went into the Spider-Verse, he tipped a toe into prestige waters with A Simple Plan before misfiring with The Gift. The 2000 film starred Cate Blanchett as southern clairvoyant helping solving the murder of a local woman (played by an off-type Katie Holmes) and also her damaged friends Hilary Swank and Giovanni Ribisi. This was thought of as a potential nomination for Blanchett and post-Sling Blade cash-in for screenwriter Billy Bob Thornton, but ultimately was too middling to register in a year of dominating lead actress performances.

This week we look at the post-Elizabeth (but pre-Aviator) Cate Blanchett fog of indistinguishable titles that failed to return her to the Oscar stage, and also the warring factions of actress stans on Oscar message boards. We also consider Ribisi as “Ben Foster with words”, the internet’s pervy Mr. Skin days, and the 4/5 brilliance of the 2000 Best Actress lineup.

(And again apologies on the audio this episode! Next week will be a return to better sound…)

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