Cameron Diaz – This Had Oscar Buzz

100 Years, 100… Snubs! – Part One

It’s May miniseries time, Garys! And we’re doing something a little different!

In 1998, the AFI compiled a list of the 100 greatest American films of all time, and turned the list into a primetime special complete with famous faces and a schmaltzy Trisha Yearwood song. It was such a success, the AFI continued to release Top 100 lists for love stories, comedies, stars, and more. For our May miniseries, we are paying a loving tribute to the tradition by selecting our choices for the 100 greatest Oscar snubs of all time, and we have several beloved THOB guests calling in to provide their picks as well!

In part one, we’ll cover our ground rules for selection, including no double mentions for a single category in a year, or double mentions for an artist. And we’ll also be giving the boot to the nomination we would replace in our snubs’ place. Here we kick off the month of May with our first (unranked!) 20 snub selections!

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176 – The Holiday

Just in time for the holidays, we are doing The Holiday. Nancy Meyers followed-up her smash hit Something’s Gotta Give with this story of two women (played by Cameron Diaz and Kate Winslet) who swap houses over the Christmas week in order to get away from their romantic disasters. Naturally, new love finds a way and in the form of Jude Law and Jack Black. Any initial Oscar hopes for the film were set by Meyers’ last film returning Diane Keaton to the Oscar fold for her fourth decade in a row, but the film was considered a financial disappointment and received a critical drubbing thanks to its silly premise and oddly paired costars.

This episode, we talk about the career of Nancy Meyers and what makes this film such a delight despite its many frustrations. Jude Law also joins our Six Timers Club, but we’ve also got another game around 2006 Christmas cinema. We also discuss Eli Wallach’s charming supporting turn, Kate Winslet’s enthusiasm when she wins something, and the 2006 Best Actress race that saw Helen Mirren steamroll despite a stellar lineup.

Topics also include Danny DeVito drunk on The View, upper butt cinema, and Diva Muffin Zappa.

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165 – The Counselor

There are few names in modern literature with more prestige than Cormac McCarthy, and his work has been adapted into the likes of Best Picture winner No Country for Old Men. For his first produced original screenplay, he partnered with one of the most prestigious names in movies and our most discussed director, Ridley Scott. Together they brought an all-star cast led by Michael Fassbender for a tale of violence and hubris called The Counselor. With scenes of Cameron Diaz humping a car and Brad Pitt being slowly beheaded by a mechanized wire lasso, The Counselor was immediately dismissed by (most) critics and audiences for its interminable plot and excessive violence.

This episode, we talk about film adaptations of Cormac McCarthy’s work and Ridley Scott’s upcoming twofer Oscar hopefuls this season in House of Gucci and The Last Duel. We also discuss offensive onscreen representations of Mexico, Fassbender’s hard-to-place screen persona, and bastardization of the MTV Movie Awards.

Topics also include Ridley Scott trailers, Bardem’s styling in the movie, and “The Continental.”

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076 – In Her Shoes

Though it was not the victor of our Listeners’ Choice, the very vocal fans of In Her Shoes told us we shouldn’t make you wait for this one any longer. Starring Cameron Diaz and Toni Collette, this one has slowly gained its admirers after disappointing box office and failing to turn Shirley MacLaine’s 2005 comeback into awards gold. Count Chris and Joe among that fanbase.

Dismissed initially by critics as a “chick lit” trifle in favor of more masculine fare, In Her Shoes is an emotionally rich tale of two sisters reconciling their relationship and the baggage from their mother’s untimely death. With MacLaine as the grandmother they didn’t know they had, the film is a perfect match of coziness and pathos that we adore. My Marcia would never speak ill of In Her Shoes, My Marcia loves In Her Shoes.

This week, we long for the return of Cameron Diaz as we dub this her greatest performance. We also discuss the underrated filmography of director Curtis Hanson, Diaz’s MTV Movie Awards dominance, and Collette’s history as one half of iconic female cinematic duos.

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