409 – Romance and Cigarettes

Post-Chicago, just about any movie musical was fodder for awards buzz, especially if they boasted a cast as stacked as Romance and Cigarettes. A jukebox musical from the mind of John Turturro, the film stars James Gandolfini as a New York construction worker whose life goes into tumult when he cheats on his wife (Susan Sarandon) with a younger redhead (Kate Winslet). Bizarrely profane and minimally plotted, the film thudded onto the festival scene in 2005 and didn’t see a theatrical release until Turturro self-distributed it in 2007.

This episode, we talk about Turturro’s Best Actor chances this season with The Only Living Pickpocket in New York and his under-rewarded career as an actor. We also discuss Gandolfini breaking away from The Sopranos with movies, the film’s strange catalog of disconnected songs, and a punk girl group of Mary-Louise Parker, Mandy Moore, and Aida Turturro.

Topics also include Film Forum, the 2005 Venice Film Festival, and Elaine Stritch: At Liberty.

381 – Happy Endings

After the edgy sexual comedy The Opposite of Sex made Don Roos a hot indie name and the drowsy romance of Bouncedampened the vibe, Roos returned in 2005 with ensemble dramedy Happy Endings. With a cast of Lisa Kudrow, Steve Coogan, and Laura Dern, the film looks at the secrets and sexual boundaries of a group of Los Angelenos. But it was the wayward and musical performance by Maggie Gyllenhaal that earned the biggest raves and an Independent Spirit Award nomination.

This episode, we talk about Gyllenhaal’s road to her first nomination for Crazy Heart and she joins our Six Timers Club. We also talk about Kudrow’s upcoming return in The Comeback, Tom Arnold’s critically praised performance, and the film being released in the same summer as LA ensemble Best Picture winner, Crash.

Topics also include Dern in the TEN Timers Club, aughts-y onscreen homophobia, and The Bride!.

255 – Win Win

Before Tom McCarthy would deliver an Oscar triumph with Spotlight (and a bomb with The Cobbler), his critically beloved films centering on everyday people culminated in Win Win. The film starred Paul Giamatti as a lawyer and wrestling coach who takes in the grandson of an elderly client, one who he has taken guardianship of solely to alleviate his family’s precarious financial situation. With a stellar ensemble including Amy Ryan and Melanie Lynskey, the film premiered at Sundance to strong reviews and earned screenplay mentions throughout the season ahead. But with distributor Fox Searchlight handling several bigger films, Win Win did not become McCarthy’s first Oscar nominee.

This episode, we look back at Giamatti’s notorious Oscar snub for Sideways and ahead to his chances this year with Alexander Payne reunion The Holdovers. We also discuss Ryan’s passionate and lovable performance, Spotlight‘s position in its Best Picture lineup, and Win Win‘s fellow nominees for Best Movie for Grownups.

Topics also include Melinda Doolittle on American Idol, Nina Arianda’s film roles, and McCarthy’s canned Game of Thrones pilot.

And remember to join us on This Had Oscar Buzz: Turbulent Brilliance over at patreon.com/thishadoscarbuzz!!

Follow Us on Twitter!
@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil