Andie MacDowell – This Had Oscar Buzz

400 – Town and Country

It’s our 400th episode this week, so we had to go big. What could be more fitting than a notorious bomb with major star pedigree?! No stranger to misfires, Warren Beatty nevertheless was one of the biggest names in Hollywood that could generate buzz with any project – and more prophetically in this case – could have any budgetary or creative demand met. Town and Country was a simple middle-aged sex farce (that Beatty took neither producing or writing credits…) that ultimately resulted in years of reshoots or creative redirections before becoming one of the biggest and most forgotten Hollywood box office bombs.

This episode, we talk about how the film fails to riff on Beatty’s playboy star persona and the film’s troubled production history. We also talk about the numerous rewrites and reshoots that plagued the film, a foul-mouthed Marian Seldes, and and Beatty’s reactions to the film’s disastrous press cycle.

Topics also include Idaho costume parties, cello tattoos, and our favorites from the previous year of the show.

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229 – Magic Mike XXL (with Pamela Ribon!)

Listeners, are you ready to be exalted?! This week, we welcome back author, screenwriter, Listen to Sassy co-host, and now OSCAR NOMINEE Pamela Ribon. And to welcome her back we’re going on a road trip with some exotic male dancers for Magic Mike XXL. The somewhat surprising sequel to the 2012 original (previously discussed on this podcast) dispensed with the commentary on capitalism and gave us everything we wanted from Mike and the boys: more dancing, more skin, and more guys being dudes. But softer box office and softer reviews kept this totally-not-directed-by-Soderbergh-not-at-all sequel out of serious awards contention, excluding some late-year critical reassessment.

This episode, we celebrate Pam’s success with her animated short My Year of Dicks and our high hopes for Mike’s swan song, Magic Mike’s Last Dance. We also discuss Roxanne Gay’s recap, Magic Mike Live, and the film’s genius film ensemble including Jada Pinkett Smith, Andie MacDowell, and Elizabeth Banks.

Topics also include campaign rules, “going to nationals” as a concept, and Joe Manganiello causing your pants to rip.

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143 – The Muse (Focus Features – Part One)

We’re kicking off our May miniseries on Focus Features with the winner of our Listeners’ Choice poll, 1999′s The Muse. To kick things off, we’re looking at how Focus was birthed from the previous companies of USA Films, October Films, Gramercy Pictures and Good Machine. Written and directed by Albert Brooks, The Muse stars Sharon Stone as the titular eccentric tasked with reviving the career of a once-celebrated Hollywood screenwriter (also played by Brooks). The antics result in a slew of cameos, Andie MacDowell baking cookies, and multiple trips to an aquarium, and it all resulted in a Golden Globe nomination for Stone before Oscar looked elsewhere.

But that Globe nomination is now remembered as one of the many bumps in the history of the Hollywood Foreign Press Association’s practices, namely for the watches they received as part of Stone’s FYC campaign. This episode, we look at the lineup of films from the companies that merged into Focus Features, Brooks’ surprisingly limited Oscar history, and Stone’s ascension in the 1990s.

Topics also include our other Listeners’ Choice film options, the film’s datedness even for 1999, and Elton John’s abysmal original song for the film.

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