This Had Oscar Buzz – Page 3 – A podcast about movies the awards forgot

270 – Sister Act (Patreon Selects)

All January we’ll be doing a series we call Patreon Selects with episodes chosen by members of our sponsor-level tier on Patreon (and they’ll be sharing their Oscar origin stories too)! First up is 1992’s megasmash musical comedy Sister Act! Originally designed as a showcase for Bette Midler, the film became a starring vehicle for Whoopi Goldberg hot off of her Oscar win for Ghost. With Whoopi as an on-the-run lounge singer who hides out in a convent and turns the church’s choir into a sensation, the film won the affection of audiences but not an Academy with a tricky relationship with comedy.

This episode, we talk about Whoopi’s career from theatre breakthrough to movie star to Oscar host. We also talk about Dame Maggie Smith’s two Oscar wins, the career of writer Paul Rudnick (who took his name off the film), and the divine Mary Wickes.

Topics also include Hook, Nuns Having Fun, and the MTV Movie Awards.

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269 – Eyes Wide Shut

Listeners have been asking for this episode for years and today, Santa is bringing it to you! Happy Holidays, it’s time for Eyes Wide Shut! In 1999, the film was hotly anticipated for many reasons: it starred Hollywood’s most famous couple, it was the final film of master of masters Stanley Kubrick, its very long production was hounded by the press, and it promised lots of onscreen sex. Adapted from Arthur Schnitzler’s Traumnovelle, the film cast Tom Cruise as a doctor who goes on an odyssey of sexual obsession after his wife (a haunting Nicole Kidman) confesses to an unrequited sexual fantasy about a stranger. A ritual orgy, Todd Field playing jazz piano, and a flirty Alan Cumming followed, and baffled audiences reacted viciously.

This episode, we discuss the film’s initial negative reaction from audiences and critics alike and its contemporary reassessment. We also talk about its formative place in Kidman’s emphasis on auteurs, how the film unpacks Cruise’s screen persona, and the film’s mystery box marketing.

Topics also include Sidney Pollack barechested in suspenders, the film’s censored orgy, and the Blockbuster Entertainment Awards.

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268 – Shattered Glass (with Richard Lawson!)

Hayden Christensen arrived seemingly out of nowhere to land the role of pre-Vader Anakin Skywalker, becoming one of Hollywood’s hottest stars overnight and largely untested as a screen presence. After a respected turn in Life As A House(see previous episode!), the Attack of the Clones reviews soured audiences on this brand new star. The very next year, he gave a terrific performance in Shattered Glass as journalist Stephen Glass who famously fabricated stories for The New Republic. But awards bodies overlooked Christensen’s work and instead nominated the rising Peter Sarsgaard as Glass’ pseudo-rival Chuck Lane.

This episode, we talk about the Entertainment Weekly It List that was Christensen’s first debut post-Star Wars casting and his return to the franchise. We also talk about director/writer Billy Ray, Sarsgaard’s near nomination here, and journalism movies that were successful with Oscar.

Topics also include working with fact checkers, college group watch television, and the 2003 Independent Spirit Awards.

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267 – Heat (with Roxana Hadadi!) (Patreon Selects)

This week, our first film selected by one of our sponsor-tier Patreon subscribers arrives, and we brought back Vulture’s Roxana Hadadi to celebrate. In 1995, audiences were hyped to finally see an onscreen showdown between Al Pacino and Robert DeNiro in Michael Mann’s Heat. But what promised to be a standard actioner on paper (on top of a battle of titans) was in actuality an existential tone poem on masculinity, with audiences feeling let down by the lack of fireworks in Pacino and DeNiro’s brief but mighty scene. The film has since been reassessed, earning a vocal and devoted fanbase that hail the film as Mann’s masterpiece.

This week, we talk about Mann’s work studying the masculine mind and Pacino and DeNiro’s 1990s periods. We also talk about Val Kilmer’s Batman year, how the 1995 Oscars largely rejected darker material, and our thoughts on Mann’s Ferrari.

Topics also include bisexual eyebrow piercings, our diner orders, and the Nyad towel.

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266 – The Nest

We who loved his debut Martha Marcy May Marlene (see previous episode!) waited eagerly for director Sean Durkin’s follow-up feature while he worked in television and produced other films. That sophomore feature came almost a decade later with The Nest. Starring Carrie Coon and Jude Law, the film follows a married couple who move to England to follow the husband’s finance career, only to quickly get consumed by financial woes. The film also returned Durkin to the Sundance Film Festival… and then the pandemic happened.

This episode, we talk about Durkin’s upcoming The Iron Claw and Carrie Coon’s work in theatre and on The Leftovers. We also discuss how the film dabbles delicately in psychological horror, Jude Law’s playing pathetic men to perfection, and the 2020 Sundance Film Festival lineup.

Topics also include the National Board of Review’s Top 10 Independent Films of 2020, Durkin’s work on Dead Ringers, and IFC Films.

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265 – Brideshead Revisited

We all know that Oscar fawns over costume dramas of literary adaptations… or so we tell ourselves when forming predictions and one with a whiff of prestige arrives. In 2008, director Julian Jerrold delivered a new adaptation of Evelyn Waugh’s Brideshead Revisited with an up-and-coming young cast paired with Dame Emma Thompson as the devoutly religious Lady Marchmain. With Matthew Goode as the social climber Charles Ryder and Ben Whishaw and Hayley Atwell as the siblings he romances, the queer-inflected drama earned modest reviews and box office, with Thompson an outsider Supporting Actress contender through the season.

This episode, Thompson joins our six timers club and we discuss our love for the then-emerging Whishaw. We also look back at Goode’s career including the misbegotten Watchmen film, Atwell’s career outside of Marvel, and the surprising amount of time that has passed since Thompson’s last nomination.

Topics also include Brideshead riff Saltburn, pneumonia terminology, and 2008 queer cinema.

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264 – Everest (with Katey Rich!)

Following Thanksgiving tradition, Katey Rich returns to This Had Oscar Buzz to discussant film with indistinguishable white male actors, and this year we have chosen 2015’s Everest. Directed by Baltasar Kormákur and featuring a massive cast led by Jason Clarke, Josh Brolin, and Jake Gyllenhaal, the film follows the true story of a disastrous trip up Mount Everest that left almost an entire crew dead. The prestigious cast and the film’s placement opening the Venice Film Festival led some prognosticators to suspect the film could be an Oscar player, but it ended up a straightforward disaster film that American audiences mostly dismissed.

This episode, we discuss how the film struggles to portray the reasons someone would want to climb Everest and Joe delivers his most hoot-worthy game yet. We also discuss Gyllenhaal’s recent questionable output, Elizabeth Debicki explaining things, and directors we confuse for Kormákur.

Topics also include mountain madness, author Jon Krakauer, and “wife on phone.”

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263 – A Good Year

After the Oscar and box office success of Gladiator, director/star duo of Ridley Scott and Russell Crowe decided to reunite in 2006 for a very different kind of film, A Good Year. Starring Crowe as a finance bro who returns to the French vineyard of his beloved but estranged and now deceased uncle (played by Albert Finney), the film offered Scott the chance to shoot a film close to home and stretch himself into comedy. With Marion Cotillard as Crowe’s love interest and Abbie Cornish as the uncle’s rightful heir, Scott’s fledgling comedy chops resulted in a misfire and one of the biggest bombs of his career.

This episode, we discuss the Ridley Scott post-Best Picture filmography and the 2006 Best Actor race. We also look at Cotillard’s Oscar win during a strike year, Cornish’s world-traveling dialects, and the 2006 TIFF Galas.

Topics also include Industry, a former lost episode, and Buffalo voice.

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262 – Inside Man

We return to the filmography of Spike Lee this week with his biggest box office success, 2006’s Inside Man. With a star-packed cast led by Denzel Washington as a hostage negotiator, Clive Owen as the bank robber opposite him, and Jodie Foster as a nefarious fixer, Lee took a standard crime thriller and made it his own to instantly rewatchable results. While the film generated the kind of “you know what was a good movie? Inside Man!” year-end critical reassessment we often talk about, it wasn’t enough to result in the snowball effect that leads to Oscar nominations.

This episode, we talk about how Lee elevates the film with his stylistic trademarks and the film’s twinship with 2006’s Best Picture winner The Departed. Topics also include Foster’s return this season with Nyad, Owen’s post-Oscar nomination slump, and Universal’s 2006 Oscar slate of The Good Shepherd and Children of Men.

Topics also include Washington’s aughts Tony Scott collaborations, whatever the hell is going on over at Gladiator 2, and the Streep/Gummer split.

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261 – Hereditary

Happy Halloween, listeners! Naturally, this week we are returning to the shallow well of horror films that made it into the Oscar hunt with a recent highly debated and lauded terrifier. In 2018, Ari Aster made his feature debut at Sundance with Hereditary, the story of a family invaded from within by a demon worshipping cult. Aster’s bizarre vision quickly earned the film a reputation as one of the scariest ever made, but Toni Collette’s performance as a terrified and grieving mother received some career-best notices and feverish hopes that she could crack the Best Actress lineup. As you might expect, Hereditary was simply too much for the Academy.

This episode, we talk about everything that makes the film so divisive and Ari Aster’s whole thing. We also talk about Collette’s career and our favorites in her filmography, the rise of character actress Ann Dowd, and what makes the conversation around “elevated horror” so frustrating.

Topics also include putting the Saturn Awards on notice, coin parties, and the Gotham Awards.

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