February 2022 – This Had Oscar Buzz

183 – Margaret (with Patrick Vaill)

#TeamMargaret, your day is here! This week, we are joined by actor Patrick Vaill to discuss the contentious backstory and reemergence story that is Kenneth Lonergan’s Margaret. Originally filmed in 2005, the film follows Anna Paquin as Lisa Cohen, a New York City teenager who witnesses a horrific accident and her search for restitution when she deems herself partly responsible. But Lonergan’s ambition with the film and its themes resulted in an arduous editing process, resulting in the ire of the film’s producer and Fox Searchlight. The years-long process led to lawsuits and the intervention of Martin Scorsese in the editing room, ultimately delivering a film that quietly snuck into a few theatres amidst contentiousness. Soon, a critical mass began to build along with change.org petitions and online outcry, and now Margaret is seen by some as one of the greatest films of the new century.

This episode, we discuss the various available versions of the film and Lonergan’s distillation of post-9/11 New York. We also unpack the brilliant central performance by Paquin, along with a stellar supporting cast of actresses including J. Smith-Cameron as Lisa’s actress mother, Jeannie Berlin as Lisa’s surprise confidante, and a one-scene-wonder Allison Janney (who joins our Six Timer’s Club).

Topics also include formative double features of The Apostle and Kundun, standing ovations for Andrea Martin, and what makes up J. Smith-Cameron’s “EGOT of television acting.”

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182 – State of Play

Adapted from the lauded UK miniseries of the same title, State of Play had a labored journey to the screen. Appearing on the 2006 Black List and originally intended as the screen reunion for Brad Pitt and Edward Norton, the American film adaptation weathered several delays, recastings, and creative setbacks, including the 2007 WGA strike. Once in production, the film mounted a cast that included Russell Crowe, Ben Affleck, Rachel McAdams, and Helen Mirren to unfold its political conspiracy in the attempted vein of All the President’s Men. All of this prestige put the film on awards prognosticators’ early predictions while it was still planned for a fall 2008 release, but it quickly cast aside those ambitions once in was punted one final time to a spring 2009 release.

This episode, we discuss Russell Crowe’s post-Oscar career of several Ridley Scott films and the phone-throwing incident that tainted his career. We also discuss Ben Affleck in the immediate afterglow of his directorial debut Gone Baby Gone, his immediate pivot to casting himself in his own movies, and director Kevin Macdonald’s pivot from documentarries to fiction films.

Topics also include watching the original miniseries on Netflix discs, snacks that are just chemicals, and The Eagle.

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Class of 2021

We finally have this year’s set of Oscar nominations, so that means it’s time for our Class of 2021 episode! This episode, we look back on the almost-was of the past awards season with films that received zero Oscar nominations, including in categories of Most Forgettable, Happiest Miss, and Saddest Snub. We also add a category for films we’re bummed we can’t discuss in future episodes, and you can guess what gets a mention there! And it all ends with picking the films we vow to cover first on the podcast, and a rundown of other films that were on the Oscar hunt at some point in the year. Topics also include saying farewell to Lady Gaga’s Oscar campaigning, the two categories that voted for the same five movies for the first time in over 50 years, and a Captain Planet lineup of Reba McEntires.

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181 – Leatherheads

This week, we are once again returning to the diminishing returns of George Clooney’s directorial career with 2008′s Leatherheads. The directing follow-up to his Oscar-nominated Good Night and Good Luck, this lighthearted film about the early days of American pro football stars Clooney as a player opposite Renée Zellweger as a journalist trying to break the story of a college football star (John Krasinski) who falsified the war hero story that made him famous. The film was received positively by critics and mildly by audiences, but was quickly forgotten as a hodgepodge of screwball comedy, sports crowdpleaser, and post-war drama.

In this episode, we look back at Clooney’s directorial attempt to follow in the footsteps of his collaborators and the 2005 Oscars where George Clooney earned three Oscar nominations, including winning in Best Supporting Actor for the forgotten Syriana. We also discuss Zellweger’s post-Oscar career fade, a what-if scenario for Clooney not winning for Syriana, and just how unsafe early football seems.

Topics also include the Zellweger movie we call “SOS backwards”, being blocked by LightsCameraJackson, and another round of Alter Egos.

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