BONUS – Sundance the Night (with Cameron Scheetz)

We’re breaking into your regular podcast schedule to bring you a special bonus episode recapping our thoughts on the films of this year’s Sundance Film Festival! And we’ve asked Queerty’s Cameron Scheetz back on to tell us what the festival was like on the ground at Park City (along with thoughts on non-virtual films like I Saw the TV Glow)! Topics include June Squibb going vigilante as Thelma, a Kieran Culkin/Jesse Eisenberg Pain-ful duet, and our favorite films of this year’s festival!

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183 – Margaret (with Patrick Vaill)

#TeamMargaret, your day is here! This week, we are joined by actor Patrick Vaill to discuss the contentious backstory and reemergence story that is Kenneth Lonergan’s Margaret. Originally filmed in 2005, the film follows Anna Paquin as Lisa Cohen, a New York City teenager who witnesses a horrific accident and her search for restitution when she deems herself partly responsible. But Lonergan’s ambition with the film and its themes resulted in an arduous editing process, resulting in the ire of the film’s producer and Fox Searchlight. The years-long process led to lawsuits and the intervention of Martin Scorsese in the editing room, ultimately delivering a film that quietly snuck into a few theatres amidst contentiousness. Soon, a critical mass began to build along with change.org petitions and online outcry, and now Margaret is seen by some as one of the greatest films of the new century.

This episode, we discuss the various available versions of the film and Lonergan’s distillation of post-9/11 New York. We also unpack the brilliant central performance by Paquin, along with a stellar supporting cast of actresses including J. Smith-Cameron as Lisa’s actress mother, Jeannie Berlin as Lisa’s surprise confidante, and a one-scene-wonder Allison Janney (who joins our Six Timer’s Club).

Topics also include formative double features of The Apostle and Kundun, standing ovations for Andrea Martin, and what makes up J. Smith-Cameron’s “EGOT of television acting.”

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Patrick: @patrick_vaill

171 – The Mighty

This week, we are talking about Sharon Stone and The Mighty. Adpated from the young adult novel Freak the Mighty by Rodman Philbrick, the film follows a burgeoning friendship between a silent giant teenager Max (Elden Henson) and a King Arthur obsessed neighbor with a rare metabolic disorder Kevin (Kieran Culkin). But the film’s real awards play was a Globe-nominated Stone, inhabiting the role of Kevin’s mother Gwen shortly after her first nomination for Casino. However, a firmly locked Supporting Actress race left Stone fighting for fifth place, ultimately missing out to Rachel Griffiths in the equally forgotten Hilary and Jackie.

The film was one of Miramax’s many titles in 1998, and shifted to a awards lower priority once Shakespeare in Love and Life is Beautiful began to take off. This episode, we discuss the film’s very broad performance from Gillian Anderson, James Gandolfini joins our Six Timers Club, and we look at back at Oscar’s love for “suffering parent” roles and other adjacent tropes.

Topics also include the shared loving gaze of Redgrave/McKellen/Fraser, Lara Flynn Boyle in Wayne’s World, and Cincinnati cinema.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil