Venice Film Festival – This Had Oscar Buzz

285 – A Bigger Splash

We’re stoked for Challengers this week, so naturally we’re talking about one of our favorites in the Luca Guadagnino resume, 2016’s underdiscussed and hot as hell A Bigger Splash. Premiering at the 2015 Venice Film Festival and playing internationally in 2015, but opening late spring 2016 in the States, A Bigger Splash is a rock-and-roll-inflected tale of sex and ego that loosely remakes La Piscine. With a foursome of stellar performances by Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, and Dakota Johnson, the film earned strong notices especially for Fiennes’ bawdy dance moves, but category confusion and the spring release hindered his chances.

This week, we talk about the film’s portrayal of desire and deception, and how slyly the film weaves in themes of morality. We also discuss Tilda’s vocal acting choice, Johnson’s career emerging from 50 Shades, and the 2015 Venice jury. And we reveal the topic for the coming May miniseries!!

Topics also include poolside etiquette, adult braces, and Regina King being edited out of Beastly.

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284 – The Sisters Brothers

If you think we are too dismissive of westerns, allow this week’s episode to contradict that notion! In 2018, Jacques Audiard made his English language debut with an adaptation of Patrick deWitt’s novel The Sisters Brothers. John C. Reilly and Joaquin Phoenix starred as gunslinging assassin siblings in 19th century America, with both on the pursuit of a detective and a scientist (played respectively by a reunited Jake Gyllenhaal and Riz Ahmed) with a plot for gold. Despite the reputation of everyone involved, the film received a mild reception at fall festivals before a quiet September release.

This episode, we talk about the struggles of Annapurna to successfully switch from being a production house to a distributor. We also discuss the career of Reilly with the hopes of a career reappraisal, our feelings about the western genre and the attempts to revive it, and Audiard’s French submission contender in A Prophet.

Topics also include surprise Carol Kane, queercoding, and Jake going weird.

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264 – Everest (with Katey Rich!)

Following Thanksgiving tradition, Katey Rich returns to This Had Oscar Buzz to discussant film with indistinguishable white male actors, and this year we have chosen 2015’s Everest. Directed by Baltasar Kormákur and featuring a massive cast led by Jason Clarke, Josh Brolin, and Jake Gyllenhaal, the film follows the true story of a disastrous trip up Mount Everest that left almost an entire crew dead. The prestigious cast and the film’s placement opening the Venice Film Festival led some prognosticators to suspect the film could be an Oscar player, but it ended up a straightforward disaster film that American audiences mostly dismissed.

This episode, we discuss how the film struggles to portray the reasons someone would want to climb Everest and Joe delivers his most hoot-worthy game yet. We also discuss Gyllenhaal’s recent questionable output, Elizabeth Debicki explaining things, and directors we confuse for Kormákur.

Topics also include mountain madness, author Jon Krakauer, and “wife on phone.”

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180 – Birth

We’re finally talking about one of our most requested films, Johnathan Glazer’s 2004 sophomore feature Birth. Starring Nicole Kidman as a woman grappling with a young boy’s assertion that he is her reincarnated dead husband, the film was initially controversial and critically maligned upon release, even with stunning work from composer Alexandre Desplat and cinematographer Harris Savides. Undoubtedly a complex and confounding film, it is perhaps most notorious for the unbroken close-up of Kidman’s face that wordlessly conveys her belief in the impossible. But in the near two decade since, Birth has been reassessed as a major achievement for Glazer, but is also seen by many as one of Kidman’s finest performances.

This episode, we discuss the film’s meaning and the controversy over the bathtub scene that overshadowed its release. We also talk about the underrated Anne Heche, Kidman’s chances to win a second Oscar this year for Being The Ricardos, and Kidman’s balancing between star roles and working with auteurs.

Topics also include Lauren Bacall lovingly calling Kidman “a beginner,” our 2004 Best Actress picks, and the upcoming 20th anniversary of The Hours.

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170 – Holy Smoke (with Jourdain Searles)

We have two exciting returns this week! First, entertainment writer and Bad Romance co-host Jourdain Searles is joining us once again. Second, we return to the work of Jane Campion, this time for 1999′s divisive and sexually charged Holy Smoke. The film premiered in competition at the Venice Film Festival with a high pedigree: Campion reuniting with her The Piano castmember Harvey Keitel, with Kate Winslet center stage two years after Titanic. But the film was Campion’s most subversive yet, and its sometimes farcical approach to the subject of one woman’s forced deprogramming from getting involved in a cult made for a poor critical reception in the very crowded movie landscape of 1999.

This episode, we talk about our excitement for The Power of the Dog and look back at our favorites in Campion’s filmography. We also discuss Winslet’s post-Titanic career of daring, interesting character roles that led up to an underwhelming Oscar win with The Reader and Pam Grier’s brief performance in the film after her Oscar snub for Jackie Brown.

Topics also include the 1999 Best Actress race, Neil Diamond needle drops, and Harvey Keitel’s butt.

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