Steven Soderbergh – This Had Oscar Buzz

295 – Let Them All Talk

Say it with us: confusion! In our episodes where we have discussed 2020, one of the major conversations we’ve yet to really tackle is the confusion around what films would be considered theatrical while most of the country’s theatres were closed. This week’s film occupied that undefined space: Steven Soderbergh’s ensemble comedy Let Them All Talk. Meryl Streep starred as a heralded author reunited on a cruise with old friends who may have inspired her work, played by Dianne Wiest and Candice Bergen. While at sea, conversations of art vs. commerce, authenticity, and inspiration play out in improvisational delight. But alas, no one knew whether Let Them All Talk was a movie or TV.

This week, we talk about Soderbergh’s films made for HBO Max and the Oscar nominated performances we would swap out this year in favor of the LTAT women. We also talk about Streep’s career post-The Devil Wears Prada, Wiest monologuing about the night sky, and Murphy Brown vs. Dan Quayle.

Topics also include the AARP Movies for Grownups Awards, this year’s Emmy race, and Angels in America.

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229 – Magic Mike XXL (with Pamela Ribon!)

Listeners, are you ready to be exalted?! This week, we welcome back author, screenwriter, Listen to Sassy co-host, and now OSCAR NOMINEE Pamela Ribon. And to welcome her back we’re going on a road trip with some exotic male dancers for Magic Mike XXL. The somewhat surprising sequel to the 2012 original (previously discussed on this podcast) dispensed with the commentary on capitalism and gave us everything we wanted from Mike and the boys: more dancing, more skin, and more guys being dudes. But softer box office and softer reviews kept this totally-not-directed-by-Soderbergh-not-at-all sequel out of serious awards contention, excluding some late-year critical reassessment.

This episode, we celebrate Pam’s success with her animated short My Year of Dicks and our high hopes for Mike’s swan song, Magic Mike’s Last Dance. We also discuss Roxanne Gay’s recap, Magic Mike Live, and the film’s genius film ensemble including Jada Pinkett Smith, Andie MacDowell, and Elizabeth Banks.

Topics also include campaign rules, “going to nationals” as a concept, and Joe Manganiello causing your pants to rip.

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119 – Solaris

After following up his 2000 Oscar triumph with audience favorite Ocean’s 11, Steven Soderbergh pivoted into a different mode in 2002, doubling up with the low-fi Full Frontal and the subject of this week’s episode: Solaris. A revisit of Stanislaw Lem’s novel (previously canonized by Andrei Tarkovsky), the film follows George Clooney as a therapist called to a a space mission on the titular planet, only to find a ghost of his dead wife among the planet’s strange happenings.

But audiences were expecting an epic romance in space thanks to a misleading marketing campaign, turning the film into a box office bomb with an F CinemaScore. In the years since, the film has gained a reputation as Soderbergh’s misunderstood masterpiece – and we agree! This episode, we look at Soderbergh’s career of making multiple films in one year and Clooney’s rise from television star to movie hunk to prestige director with uneven returns.

Topics also include a deep dive into our 2002 personal awards ballots, Viola Davis’s underrated supporting performance, Jeremy Davies as Jeremy Davies, and, of course, Clooney’s butt onscreen.

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090 – Magic Mike

Based loosely on star Channing Tatum’s experience as an exotic dancer, 2012’s Magic Mike lured director Steven Soderbergh out of his ongoing “retirement” and became a summer smash. Women loved it, men loved, the critics loved it – except the Academy did not. Though released during the full swing of the McConnaissance, it would take another year for Oscar to honor Matthew McConaughey, overlooking his charming, thong-clad villain performance here, despite love from some major precursors.

This episode, we fire up the Ginuwine to discuss Tatum’s rising movie star career from beefcake to surprising comedic talent to his current downshift in visibility. We also look at Soderbergh’s career post-Oscar, including his reticence to play the Oscar game that might leave films like this (and Contagion) out of the running.

Topics also include the 2012 Best Supporting Actor field of all previous nominees (and who we think might have had sixth place), the forgotten Alex Pettyfer, and the multiple onscreen appearances of Channing Tatum’s bumbum.

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