248 – Mrs. Parker and the Vicious Circle (with Jourdain Searles!)

We are returning to the work of Jennifer Jason Leigh this week, and Jourdain Searles is joining us once again with an underrated and underseen gem. Mrs. Parker and the Vicious Circle takes on the life of indelible writer Dorothy Parker, capturing her days with the insular Algonquin Circle and her later dissolution with the group, all with Jennifer Jason Leigh as the noted wit. Launched at Cannes, the film was celebrated for her performance even with a limited audience, including Golden Globe and Independent Spirit nominations for Best Actress. But even in a famously uncompetitive Best Actress lineup, Leigh was left out.

This episode, we talk about Leigh’s several close calls for a nomination in the 1990s and our feelings about the nomination that she eventually received for The Hateful Eight. We also talk about Pulp Fiction‘s domination on the independent film scene, the Cannes Film Festival, and the influence of producer Robert Altman.

Topics also include writer/director Alan Rudolph’s filmography, the film’s massive (and nepotism baby-inflected) ensemble, and the person-not-company Condé Nast.

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127 – Conviction

This episode, we’re looking at 2010′s Conviction starring Hilary Swank as Betty Anne Waters, a real life Massachusetts woman who earned a law degree to fight for the innocense of her brother wrongly convicted of murder. With a cast that includes Minnie Driver, Peter Gallagher, and Sam Rockwell as Betty’s jailed brother Kenny, the film received a middling festival reaction and fizzled at the box office before getting buried among Fox Searchlight’s bigger contenders. Though Swank and Rockwell respectively earned SAG and Critics Choice nominations, the film disappeared quickly.

Perhaps Conviction’s biggest stamp on Oscar culture was Swank’s appearance in that year’s formative Hollywood Reporter Actress roundtable. This episode, we unpack what makes that year’s roundtable a high bar for actress obsessives and go deep on the history of the THR Actress Roundtable. We also get into Rockwell’s unfortunate recent typecasting and the brief and impressive performances by Juliette Lewis and Clea Duvall in the film.

Topics also include Melissa Leo’s Oscar-triumphant 2010, the Oscar history of Swank vs. Bening, and Helena Bonham-Carter becoming one with her many bangles.

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029 – To Gillian on Her 37th Birthday (with Gavin Mevius)

This week, we dive into our pfirst Pfeiffer and it’s also pforgotten Pfeiffer. To Gillian on Her 37th Birthday arrived in 1996, coasting on a triple threat of Oscar buzz: a popular stage play, adapted by the Picket Fences team of David E. Kelley and Michael Pressman, and starring the beloved Michelle Pfeiffer as its ghostly object of affection.

Critics quickly dismissed the film as maudlin (with oddball comparisons to Ghost) and audiences forgot about it even faster. This week, The Mixed Reviews’ cohost Gavin Mevius joins us to rediscover the film – in all of its icky sexual mores and misrepresentation of how karaoke works. We also discover Freddie Prinze’s Jr.’s late career switch, luxuriate in the trash of William Shakespeare’s Romeo + Juliet, and unpack Pfeiffer’s stalled Oscar trajectory.

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