Oscars – Page 24 – This Had Oscar Buzz

100 – mother!

We have finally arrived at a major milestone – our 100th episode!! To commemorate the occasion, we’re looking back at the notoriously divisive 2017 discourse factory, Darren Aronofsky’s mother!. An environmental allegory of biblical proportions, mother! arrived after a cryptic marketing campaign with few plot details beyond the promise of a horror spectacle and megastar Jennifer Lawrence at the forefront. Loved by some critics and loudly reviled by most audiences, any Oscar hopes or predictions evaporated once we saw what the film actually was.

for our 100th episode, we’re going all in on a film bursting with talking points, from Lawrence and Aronofsky’s romantic relationship (and how that shadowed readings on the film) to Michelle Pfeiffer rude and horny stand-in for Eve. Though Aronofsky was vocal to the press after release about what the film represents, we examine multiple possible threads of interpretation in its madness. We also look at Jennifer Lawrence fatigue among audiences, the history of F Cinemascores, and the goriest swag you’ve ever seen.

And since this is such a milestone episode, we take some time to look back on our favorites from previous episodes. Thank you listeners for joining us on the journey!

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

099 – Proof

We’re looking to the stage for this week’s episode! After being awarded the Pultizer Prize for Drama, a Tony success, and two years on Broadway, Oscar obsessives looked to the big screen adaptation of Proof to continue its slew of trophies. With Gwyneth Paltrow reprising her role from the London stage (along with that production’s director and Shakespeare in Love helmer, John Madden), this intimate drama on math and madness felt like the surest of bets on paper. But Proof’s release was delayed by a year as Miramax began to fizzle, arriving on screen as an afterthought even in a Best Actress year with fewer contenders.

This week, we look back at recent adaptations of Pulitzer Prize winning plays and what has gotten lost from stage to screen. We also look at how Proof has aged over years of being over-produced, Hope Davis’s era of an expected eventual nomination, and Mary Louise Parker’s Tony win.

Topics also include Anne Heche at stage doors, the God of Carnage puke scene, and next week’s 100th episode!!

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

098 – Lee Daniels’ The Butler (with Jourdain Searles)

One year after giving us Nicole Kidman peeing on Zach Efron in The Paperboy, Lee Daniels delivered a late summer hit and Oscar hopeful with The Butler. Starring then-recent Best Actor winner Forrest Whitaker as Cecil Gaines, a White House butler to eight presidents, the film follows the arc of civil rights in America through the lens of one Black family. But it was the screen return of Oprah Winfrey that was the film’s closest brush with Oscar, and her work as Gloria Gaines remains an understated treasure.

This episode, we welcome back freelance writer and Bad Romance cohost Jourdain Searles to unpack the film’s high points as a family drama and shakier ground as a conveyor belt of cameos for famous people as presidents. We discuss the 2013 Supporting Actress contenders, and how the film’s Oscar chances were hindered three-fold: a summer release, a distributor that prioritized other films, and an Academy unwilling to consider multiple stories from Black filmmakers in one year.

Topics also include Yaya DaCosta, presidential movies, and the film’s sometimes effective, sometimes cringey makeup.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

097 – The Others

We are taking the rare This Had Oscar Buzz stroll through the horror genre this week and also discussing the rare case of a performer possibly splitting their own vote. The Academy rules state that one performer cannot be nominated for two performances in the same category, and one case against that rule was Nicole Kidman’s 2001. Eventually nominated for the more broadly rewarded Moulin Rouge!, Kidman also gave a much heralded performance that year in this week’s film The Others.

This episode, we look back at the precursor run for Kidman in 2001 that was likely closer than we remember between her two performances – and her divorce with Tom Cruise. We also discuss musty mansion movies, Fionnula Flanagan as a deserving supporting actress contender, and 2001 as an underrated movie year.

We also encourage listeners to donate to the Emergency Release Fund, supporting bail funds for trans people jailed while protesting systemic racism and police brutality in New York City. Donate at emergencyreleasefund.com

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

096 – Nurse Betty (with Rob Scheer)

Renée Zellweger’s three year run with Oscar in the early 2000s makes for oft-discussed trajectory, perhaps so much so that we don’t always remember her near nomination the year before it all began. This week, film publicist Rob Scheer joins us to look back at her Golden Globe winning performance in Nurse Betty, a dark comedy about a woman so traumatized by witnessing her husband’s murder that she breaks from reality and persues the fictional soap opera doctor she adores.

This episode, we discuss director Neil LaBute and his abrasive playwrighting style in addition to Nurse Betty‘s reception at the Cannes Film Festival. We also take a big picture look at the 2000 Oscar race including the Globes and National Board of Review. And we revisit a favorite “what if” Oscar scenario and imagine how following Oscar years would play out if Zellweger had instead gotten her Oscar for Chicago.

Topics also include frantic Oscar telecast control rooms, Björk as potential (or not) sixth place Best Actress contender, and thanking John Carrabino.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

095 – St. Vincent (Naomi Watts – Part Four)

Nao-May comes to a close this week with St. Vincent, the 2014 film that starred Bill Murray as an old codger who learns to love while caring for a not-quite-precocious preteen. The dramedy targeted that elusive follow-up nomination for Murray after losing out for Lost in Translation a decade prior, not to mention holding promise for a dramatic turn from Melissa McCarthy. But it is perhaps most remembered by awards hounds for Watts’s surprise SAG nomination as a pregnant Russian immigrant sex worker.

This week, we look at Naomi’s successful 2014 (that also included starring in Best Picture winner Birdman), her career post-St. Vincent, and what we imagine lies ahead for her career. We take another final look at Watts as a committed performer to sometimes unfortunate material, as evidenced by this film and… oof, The Book of Henry.

Topics also include the film’s rainsoaked TIFF premiere, embarrassing interviews on morning shows, and (once again) Jaden Mein Leiberher Martell.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

094 – Diana (with Richard Lawson) (Naomi Watts – Part Three)

As our Naomi Watts miniseries continues into its third week, we come to the biggest misfire therein: 2013’s reviled biopic Diana. With Watts taking on titular role, the film follows Princess Diana in her final days and her thwarted romantic relationship with surgeon Hasnat Khan (played bby Naveen Andrews). But in an attempt to avoid the salacious of headlines, the film became a bland failure and received much-earned bad reviews when it opened.

Vanity Fair chief critic and Little Gold Men cohost Richard Lawson returns this week to talk about the actress’s path to a second Oscar nomination and how Diana quickly took the wind out of those sails. Yet another example of Watts working with the right director at the wrong time, the film also suffers from an ambivalent approach to its subject by director Oliver Hirschbiegel. On top of the film’s dullness, we discuss how some felt its very existence missed the point of Diana Spencer’s death.

Topics also include the film’s symmetry to Nicole Kidman vehicle Grace of Monaco, KT Tunstall song cues, and teenage psycho twinks.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

093 – The Painted Veil (Naomi Watts – Part Two)

Our second episode on the Oscar trajectory of Naomi Watts brings us to 2006’s The Painted Veil, a W. Somerset Maugham adaptation set during a cholera outbreak in 1920s China. Watts starred opposite Edward Norton as a combative English couple whose love rekindles after an affair, with the actress’s then-boyfriend Liev Schreiber as the other man. The film reminds of similar period costume dramas that once was thought to be prime Oscar fodder, but became another example of how that tide has turned in recent years.

However, The Painted Veil was moreso plagued by an Oscar campaign that started far too late, despite lingering in predictions throughout the season. Distributed by Warner Independent, delays in post-production meant the film was forced to skip the fall festivals and arrived late to the screener pile that was crucial to Oscar campaigns in the mid-00s. This episode, we look back at the short-lived run of Warner Independent and the Best Picture winner that was almost theirs.

We also discuss Diana Rigg in a mirror opposite to her Game of Thrones character, composer Alexandre Desplat, and cult musical Chess.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

092 – Le Divorce (with Bobby Finger) (Naomi Watts – Part One)

We kick off our Nao-May miniseries this week with contemporary Merchant Ivory misfire Le Divorce. After missing out on a nomination for Mulholland Drive, Naomi Watts’ first foray with prestige filmmaking was this literary adaptation about two American sisters in Paris caught in the cultural crossfires of French perspectives on love and legality. Opposite the shared Oscar potential of Kate Hudson, the film’s marketing promised a fun and sexy romp and delivered a dull and fangless mild satire. Watts would go on to earn her first Oscar nomination later in the year for 21 Grams, leaving this film as a footnote to her success.

Returning guest and Who Weekly co-host Bobby Finger joins us to discuss how Le Divorce fails to serve Watts’ growing screen career and how her work in The Ring is underrated. We also look back at the career of Kate Hudson and the 2003 Best Actress race that had two heavy-hitting frontrunners that likely left Watts in a distant third place.

Topics also include handbags with history, recommendations while working at Blockbuster, and “Cinema Italiano”.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS

BONUS – We Like Her With The Bonnet

This May, we are kicking off our second ever miniseries by taking a month-long dive into the filmography and Oscar history of Naomi Watts. Coming this month: we’re talking Le Divorce, The Painted Veil, Diana, and St. Vincent. And to kick things off, we are bringing you a special mini episode to set the stage for the discussion.

In 2001, Watts emerged on the scene in a big way with David Lynch’s Mulholland Drive, but missed out on a Best Actress nomination against very mighty competition. In this episode, we discuss that genius performance and how it would set the stage for Watts as a performer who was owed a follow-up nomination after the snub. Topics also include perfect American dialects, other THOB-eligible movies starring Watts, and her track record of working with great directors.

Podcast: Play in new window | Download

Subscribe: Google Podcasts | RSS