Oscar – This Had Oscar Buzz

311 – The Lady in the Van

We wanted to take this week’s episode to tribute the recently departed Dame Maggie Smith and finally take a look at one of her final awards contenders, 2015’s The Lady in the Van. Reprising the role she played on the stage, Smith stars as the titular lady, who lives in a van that just so happens to take up residence near the home of playwright Alan Bennett. Alex Jennings stars as Bennett, and the film examines both his evolving relationship with his neighbor and, in metatextual ways, Bennett’s conflicted feelings about telling her story.

This episode, we talk about Dame Maggie Smith’s late career resurgence and she joins our Six Timers Club! We also talk about the film’s cameo lineup from the cast of The History Boys, tributes posted after Smith’s passing, and our first Halloween watches of this season.

Topics also include director Nicholas Hytner, 2015 Best Actress, and Philo-mania.

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052 – Frankie and Johnny

We’re going all the way back to 1991 for this week’s episode on Gary Marshall’s take on the Terrence McNally two-hander Frankie and Johnny. Here is a film that was a convergence of several Oscar narratives: Al Pacino’s lengthy overdue status, Michelle Pfeiffer’s prestige ascent, and Marshall’s follow-up to the success of Pretty Woman. The film works overtime to open up the play’s text, and results in a film about two lonely New Yorkers that we kind of actually like.

But despite the pedigree and an Academy willing to even nominate Pacino for Dick Tracy the previous year, Oscar looked elsewhere. Pfeiffer was also criticized for being too glamorous for the character, and notably turned down the role that would win Best Actress this year: The Silence of the Lambs’ Clarice Starling. And the film has further hooks on the fringes of the ‘91 Oscar year: Kate Nelligan shared a few notable critics prizes with this and The Prince of Tides, the film she would ultimately be nominated for.

This week, we also discuss the last days of Johnny Carson, Pfeiffer and Pacino’s lack of nominations past the early 90s, and Terence Trent D’Arby.

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051 – I Saw the Light (with Erica Mann)

Can you believe it’s taken us this long to discuss that genre Oscar so adores, the musical biopic? This week, Erica Mann joins us for one of the most reviled paint-by-numbers biopics and a little bit of yeehaw with 2016′s I Saw The Light.

The film stars Tom Hiddleston as Hank Williams and Elizabeth Olsen as his long-suffering first wife Audrey, detailing his rise in country music before his untimely death at the age of 29. The film was originally planned for 2015 and ran the board for early predictions, but a disastrous response at TIFF led to the film being pushed into 2016 and quickly forgotten soon after release.

This episode, we have another pop quiz lined up – this time centered around other Oscar buzzed musical biopics. We also discuss Olsen’s start in Martha Marcy May Marlene, Hiddleston’s prestige ascent and plateau, and of course, we discuss the Avengers.

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BONUS – A Kiss At The End of 2003’s Rainbow

To wrap up our 2003 miniseries, Joe and Chris take a final look at the Oscar year that was 2003 in this special episode! We take a guess at what the remaining five films would be in a year of ten Best Picture nominees, share our personal ballots, and hint at what future This Had Oscar Buzz miniseries subjects could be. And instead of our usual IMDb Game, we close out the episode with a different guessing game for one of our most-discussed favorite pieces of awards miscellania…

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044 – The Missing (2003 – Part One)

With this episode, we officially begin our month-long miniseries on the 2003 Oscar year! We are beginning with a high profile failure from a major director: Ron Howard’s The Missing starring Cate Blanchett and Tommy Lee Jones. After winning the Oscar in 2001 for A Beautiful Mind, Ron Howard aimed to cash in on that earned prestige by fulfilling his dream of making a western. After leaving Disney’s The Alamo in the dust, he settled on this story of kidnapping and father-daughter forgiveness. But audience’s had long since grown bored by the genre and the Academy similarly ignored the film.

This episode we discuss how this film represents the big studio failures from major directors within this Oscar year and how it ultimately fails to bring life to a dead genre. We also look at the legacy of Howard’s Director nomination snub for Apollo 13, the many ways westerns have been reimagined in recent years, and how The Missing blurred into the mass of the season’s period epics.

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