165 – The Counselor

There are few names in modern literature with more prestige than Cormac McCarthy, and his work has been adapted into the likes of Best Picture winner No Country for Old Men. For his first produced original screenplay, he partnered with one of the most prestigious names in movies and our most discussed director, Ridley Scott. Together they brought an all-star cast led by Michael Fassbender for a tale of violence and hubris called The Counselor. With scenes of Cameron Diaz humping a car and Brad Pitt being slowly beheaded by a mechanized wire lasso, The Counselor was immediately dismissed by (most) critics and audiences for its interminable plot and excessive violence.

This episode, we talk about film adaptations of Cormac McCarthy’s work and Ridley Scott’s upcoming twofer Oscar hopefuls this season in House of Gucci and The Last Duel. We also discuss offensive onscreen representations of Mexico, Fassbender’s hard-to-place screen persona, and bastardization of the MTV Movie Awards.

Topics also include Ridley Scott trailers, Bardem’s styling in the movie, and “The Continental.”

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129 – When A Man Loves A Woman

For our third episode on Meg Ryan, we’re going back to 1994 with When A Man Loves a Woman. One year after her megasmash in Sleepless in Seattle, the film stars Ryan as a woman entering recovery for alcoholism and Andy Garcia as her husband struggling to find normalcy. Though the film was a critical and box office success, an early summer release and scattered Best Actress year kept Ryan from her elusive first Oscar nomination.

This episode, we talk about how the film subverts romantic drama expectations by not letting the male lead off the hook when it shouldn’t. We also talk about Tina Majorino and Mae Whitman in their child star days, Meg Ryan’s Lead Actress nomination from SAG in their inaugural awards, and Andy Garcia as eternally hot.

Topics also include the MTV Movie Awards’ Most Desirable categories, movies from the 90s that exist only as titles or posters, Lauren Tom when she broke up Ross and Rachel.

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118 – Far And Away

Plunge and scrub, listeners! We’re going back to the early 90s to look at Tom Cruise, Nicole Kidman, and director Ron Howard for Far and Away. The film was both an intended inch toward Oscar’s embrace for Howard and a big budget romance for the recently wed stars, attempting David Lean-level grandeur with an Irish immigrant story. But middling reviews and tepid box office left this film in the dust with Oscar – and it would be nearly a decade before Howard would reap the benefit of his rising narrative.

The episode, we dive into the film’s upsetting depiction of the Oklahoma Land Rush, its place among 90s Irish cultural obsession, and its infamous bowl scene. We also discuss Kidman’s 90s evolution towards being taken seriously as an actress, the prospects for Howard’s upcoming Hillbilly Elegy, and Cruise’s current reign as death-wish movie star in the Mission: Impossible series.

But before we get into the MTV Movie Awards and Kidman yelling about her spoons, we have some news: we’re taking submissions for an end of the year Listeners’ Choice showdown! And don’t forget: you can now follow us on Spotify!

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil