255 – Win Win

Before Tom McCarthy would deliver an Oscar triumph with Spotlight (and a bomb with The Cobbler), his critically beloved films centering on everyday people culminated in Win Win. The film starred Paul Giamatti as a lawyer and wrestling coach who takes in the grandson of an elderly client, one who he has taken guardianship of solely to alleviate his family’s precarious financial situation. With a stellar ensemble including Amy Ryan and Melanie Lynskey, the film premiered at Sundance to strong reviews and earned screenplay mentions throughout the season ahead. But with distributor Fox Searchlight handling several bigger films, Win Win did not become McCarthy’s first Oscar nominee.

This episode, we look back at Giamatti’s notorious Oscar snub for Sideways and ahead to his chances this year with Alexander Payne reunion The Holdovers. We also discuss Ryan’s passionate and lovable performance, Spotlight‘s position in its Best Picture lineup, and Win Win‘s fellow nominees for Best Movie for Grownups.

Topics also include Melinda Doolittle on American Idol, Nina Arianda’s film roles, and McCarthy’s canned Game of Thrones pilot.

And remember to join us on This Had Oscar Buzz: Turbulent Brilliance over at patreon.com/thishadoscarbuzz!!

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Joe: @joereid
Chris: @chrisvfeil

197 – Downsizing

And we’re back to your regularly scheduled episodes! This week, we return to our non-EW episodes with one of the more divisive high-profile bombs in recent years, 2017′s Downsizing. A globalization satire from Alexander Payne and his Sideways co-writer Jim Taylor, the film follows an everyman played by Matt Damon who decides to join the masses deciding to shrink themselves for the sake of green initiatives and a little outsized wealth. The film ran the 2017 fall festival gamut, opening the Venice Film Festival to raves only to see increasingly negative receptions at Telluride and Toronto. In the long wait to its eventual Christmastime release, the negative perceptions settled in and the film became a box office bomb.

By Oscar time, its biggest chances lied in the supporting turn from SAG, Globe, and Critics’ Choice nominee Hong Chau as a political activist forced into downsized life as punishment. This episode, we’ll be talking about the 2017 Supporting Actress race and how she was shut out at the last minute. We’ll also discuss Damon’s constant foot-in-mouth syndrome, 8 Kinds of F*cks, and the National Board of Review’s Top Ten Films of 2017.

Topics also include our thoughts on this year’s Cannes, talking head documentaries, and Paramount’s big year of bombs.

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Joe: @joereid
Chris: @chrisvfeil

020 – Secretariat

After landing a Best Actress nomination in a great Best Actress year for Unfaithful, we once thought Diane Lane could come back to the Oscar race by going to a horse race. This week, we’re talking about Secretariat, a live-action Disney biopic that got buried in the wake of The Social Network. Get ready for a dive into the 2010 Oscar nominations, including a strong defense of its Best Picture lineup. And we obsess over the real reason to watch the movie, even though it does her dirty: the eternal Margo Martindale.

Join us as Joe explains horse racing awards hierarchy, Chris has an Oscar host hot take to end all Oscar host hot takes, and we unpack the cornucopia of the film’s rich white people problems. Come for the remembered Oscar buzz, stay for the elevator stories! Oh and we try and fail to not call this movie Seabiscuit.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil