Javier Bardem – This Had Oscar Buzz

165 – The Counselor

There are few names in modern literature with more prestige than Cormac McCarthy, and his work has been adapted into the likes of Best Picture winner No Country for Old Men. For his first produced original screenplay, he partnered with one of the most prestigious names in movies and our most discussed director, Ridley Scott. Together they brought an all-star cast led by Michael Fassbender for a tale of violence and hubris called The Counselor. With scenes of Cameron Diaz humping a car and Brad Pitt being slowly beheaded by a mechanized wire lasso, The Counselor was immediately dismissed by (most) critics and audiences for its interminable plot and excessive violence.

This episode, we talk about film adaptations of Cormac McCarthy’s work and Ridley Scott’s upcoming twofer Oscar hopefuls this season in House of Gucci and The Last Duel. We also discuss offensive onscreen representations of Mexico, Fassbender’s hard-to-place screen persona, and bastardization of the MTV Movie Awards.

Topics also include Ridley Scott trailers, Bardem’s styling in the movie, and “The Continental.”

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112 – Goya’s Ghosts

Famous among Oscar predictors in the mid aughts, this week’s film had high sight unseen expectations that were thwarted by a prolonged release and dismal reviews. After twice winning Best Director, Miloš Forman followed a biopic heavy run in the 90s with the costume drama Goya’s Ghosts starring Natalie Portman and Javier Bardem. Cradling the period between the Spanish Inquisition and Napoleon’s later rule, the film is a murky rumination on art, religious power, and human corruptability from one regime to the next. Arriving stateside almost a year after its global release, the film was long forgotten by the time Bardem starting sweeping the season for No Country for Old Men.

The film also found Portman at a transitional point in her career, having earned her first nomination for Closer and leaving behind the Star Wars franchise. This week, we discuss Portman’s love of A Choice for better or worse, her 2010 win for Black Swan, and rapping on SNL.

Topics also include our beloved Flora Plum and other long-delayed Oscar hopefuls, the 2010 Hollywood Reporter Actress roundtable, and the film’s wild fake teeth.

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100 – mother!

We have finally arrived at a major milestone – our 100th episode!! To commemorate the occasion, we’re looking back at the notoriously divisive 2017 discourse factory, Darren Aronofsky’s mother!. An environmental allegory of biblical proportions, mother! arrived after a cryptic marketing campaign with few plot details beyond the promise of a horror spectacle and megastar Jennifer Lawrence at the forefront. Loved by some critics and loudly reviled by most audiences, any Oscar hopes or predictions evaporated once we saw what the film actually was.

for our 100th episode, we’re going all in on a film bursting with talking points, from Lawrence and Aronofsky’s romantic relationship (and how that shadowed readings on the film) to Michelle Pfeiffer rude and horny stand-in for Eve. Though Aronofsky was vocal to the press after release about what the film represents, we examine multiple possible threads of interpretation in its madness. We also look at Jennifer Lawrence fatigue among audiences, the history of F Cinemascores, and the goriest swag you’ve ever seen.

And since this is such a milestone episode, we take some time to look back on our favorites from previous episodes. Thank you listeners for joining us on the journey!

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