Best Director – Page 2 – This Had Oscar Buzz

253 – Moby Dick (with Emily St. James!)

We’re going back further than ever before this episode and we’ve got writer/critic/author Emily St. James along for the ride! After a consecutive run as an Oscar favorite in the late 1940s to early 1950s, director John Huston gave us 1956’s Moby Dick, an adaptation of perhaps the greatest novel of all time and often seen as unadaptable. With Gregory Peck as Captain Ahab and a cameo performance by Orson Welles, the film earned Huston favor at the DGA Awards, but even with its (then) technical feats, the film did not continue Huston’s Oscar streak.

This episode, we talk about the impossible task of bringing Herman Melville’s novel to the screen and the perception of Peck as miscast. We also discuss the 1956 Oscars, Peck’s run as Academy president, and outrage over Home Alone‘s underwhelming Oscar nomination tally.

Topics also include the Grumpy Old Men blooper reel, Reba McEntire as Trish, and we also announce the return of Vulture’s Movies Fantasy League! Join the rest of the Garys with league name AllOfUsGarys!

And don’t forget to sign up for our Patreon, This Had Oscar Buzz: Turbulent Brilliance over at patreon.com/thishadoscarbuzz!!

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243 – Wonderstruck

We’re talking about one of our favorite filmmakers this episode and for one of his most mildly received movies. In 2017, two years after the critical success of Carol, Todd Haynes returned with a pivot to young adult literature with Wonderstruck. Based on the book by Brian Selznick, the film follows two deaf children across decades who trek into Manhattan in search of family: Rose in 1927 and Ben in 1977, respectively played by Millicent Simmonds and Oakes Fegley. With passing observations to film history and the invention of the talkie, the film takes a heady approach to a story of familial reconciliation across generations. But when the film widely disappointed viewers early on at the Cannes Film Festival, the film struggled to gain fans over the year, becoming the first of Amazon’s many awards duds over the season.

This episode, we discuss the film’s early tepid reception at the Cannes Film Festival and all of the talk of this year’s Cannes, including the debut of Haynes’ May December. We also discuss Simmonds’ work in the A Quiet Place franchise, the challenge in marketing Haynes’ films, and Julianne Moore’s dual roles in both storylines.

Topics also include Carter Burwell’s glorious score, another round of Alter Egos, and gossip from the 2017 Cannes.

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100 Years, 100… Snubs! – Part Five

We’ve arrived at the grand finale of our blowout May miniseries 100 Years, 100… Snubs! It’s all been leading up to this Red and Wild strawberry social with guests arriving, boots handed out with abandon, and our picks for the biggest Oscar snub of all time! We also dive into a feast of topics including hating Braveheart, corny 1970s disaster movies, running times of nominated Documentary Features, international feature eligibility issues, double Supporting Actor nominations in 1991, Nicole Kidman’s gaze, which one of us is a bigger You Can Count on Me fan, and 100 Years, 100… Snubs! SNUBS. Special thanks to all of our listeners for sticking with us week after week, film after film — we hope you all had fun with this miniseries!!

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Mailbág: Goodbye 2022

We are bidding adieu to 2022 with our annual mailbag episode!! We dive into a feast of listener questions, kicked off first with a mini 20th anniversary celebration for The Hours and THOB-adjacent questions about theme parks, Drag Race, and the Emmys. We unpack the current Oscar race, including Cate Blanchett’s default status as the performance of the year, the current Best Director and Animated Feature races, and performances we loved in movies we didn’t. Topics also include performers most likely to never win despite multiple nominations, Nora Ephron’s Oscar nominations, our favorite THR Actress roundtables, the 1996 Best Actress race almost crashed by Madonna, and This Had Figure Skating Buzz.

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219 – Always

As The Fabelmans is welcomed into theatres and Spielberg nostalgia is about to come back into conversation, we naturally are here to talk about one of his least discussed films: 1989′s Always. Based on the 1943 Victor Fleming film A Guy Named Joe, Always follows an aerial firefighter played by Richard Dreyfuss who dies saving his friend (John Goodman) in a mission, only to watch from the afterlife as his lover (Holly Hunter) grieves and finds new romance. Spielberg was a big fan of the original, turning this into a bit of a passion project that nevertheless received middling box office and reviews before becoming one of his most forgotten films.

This episode, we talk about Spielberg’s twofer years and the Oscar success of the related films. We also discuss Hunter’s slew of projects immediately after her first nomination for Broadcast News (and our wish to see her in another Spielberg film), Spielberg losing Best Director nominations to other director legends, and the era of cigarette ads and The Marlboro Man.

Topics also include Goodman’s status as a nominationless actor, bickering over the current Bake Off season, and Audrey Hepburn as an afterlife greeter named Hap.

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204 – A Prairie Home Companion (with Clay Keller)

An episode long teased has finally arrived. Screen Drafts co-host (and proud Minnesotan) Clay Keller joins us to discuss the final film from beloved auteur Robert Altman, 2006′s A Prairie Home Companion. Based on and set within the eponymous radio show, the film follows the backstage goings-on during the show’s fictionalized final live recording, with a sprawling cast of Altman regulars and newbies including Meryl Streep, Lily Tomlin, Kevin Kline, Maya Rudolph, Woody Harrelson, John C. Reilly, Lindsay Lohan, and Virginia Madsen as an angel of death. Altman would pass the November after its release, but sadly did not receive posthumous recognition for the film due to its somewhat divided reception.

This episode, we’re discussing the dual summer roles for Streep between this and The Devil Wears Prada, and we’re celebrating our tenth Streep episode! We also discuss Lohan’s turmoil at the time, Paul Thomas Anderson as a contractually obligated backup director, and Clay brings us stories from his experience as an extra on the set of the film.

Topics also include the Streep/Tomlin tribute to Altman at the previous ceremony, bad jokes, and a Screen Drafts-style ranking of the film’s best performances.

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183 – Margaret (with Patrick Vaill)

#TeamMargaret, your day is here! This week, we are joined by actor Patrick Vaill to discuss the contentious backstory and reemergence story that is Kenneth Lonergan’s Margaret. Originally filmed in 2005, the film follows Anna Paquin as Lisa Cohen, a New York City teenager who witnesses a horrific accident and her search for restitution when she deems herself partly responsible. But Lonergan’s ambition with the film and its themes resulted in an arduous editing process, resulting in the ire of the film’s producer and Fox Searchlight. The years-long process led to lawsuits and the intervention of Martin Scorsese in the editing room, ultimately delivering a film that quietly snuck into a few theatres amidst contentiousness. Soon, a critical mass began to build along with change.org petitions and online outcry, and now Margaret is seen by some as one of the greatest films of the new century.

This episode, we discuss the various available versions of the film and Lonergan’s distillation of post-9/11 New York. We also unpack the brilliant central performance by Paquin, along with a stellar supporting cast of actresses including J. Smith-Cameron as Lisa’s actress mother, Jeannie Berlin as Lisa’s surprise confidante, and a one-scene-wonder Allison Janney (who joins our Six Timer’s Club).

Topics also include formative double features of The Apostle and Kundun, standing ovations for Andrea Martin, and what makes up J. Smith-Cameron’s “EGOT of television acting.”

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181 – Leatherheads

This week, we are once again returning to the diminishing returns of George Clooney’s directorial career with 2008′s Leatherheads. The directing follow-up to his Oscar-nominated Good Night and Good Luck, this lighthearted film about the early days of American pro football stars Clooney as a player opposite Renée Zellweger as a journalist trying to break the story of a college football star (John Krasinski) who falsified the war hero story that made him famous. The film was received positively by critics and mildly by audiences, but was quickly forgotten as a hodgepodge of screwball comedy, sports crowdpleaser, and post-war drama.

In this episode, we look back at Clooney’s directorial attempt to follow in the footsteps of his collaborators and the 2005 Oscars where George Clooney earned three Oscar nominations, including winning in Best Supporting Actor for the forgotten Syriana. We also discuss Zellweger’s post-Oscar career fade, a what-if scenario for Clooney not winning for Syriana, and just how unsafe early football seems.

Topics also include the Zellweger movie we call “SOS backwards”, being blocked by LightsCameraJackson, and another round of Alter Egos.

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145 – Lust, Caution (Focus Features – Part Three)

We’ve come to the midpoint of our Focus Features miniseries with a work from a modern master, 2007′s Lust,Caution from Ang Lee. An erotic thriller set in Hong Kong and Shanghai during the Japanese occupation, Lust, Caution follows a breakthrough Tang Wei as Wong Chia-Chi, a woman who joins an assassination plot where she must seducce the target, played by icon Tony Leung Chiu-Wai. Lee earned a back-to-back Golden Lion win for the film at Venice after Brokeback Mountain, but several factors likely played into Oscar overlooking the film: its NC-17 rating, Lee’s recent Brokeback success, and Oscar deeming the film ineligible for Best Foreign Language Film.

This episode, we go deep on the minutiae regarding the Foreign Language / International Feature elibigibility and nomination process in recent years, including 2007 as a beginning to Oscar adapting procedure for the category. We also look at Tang Wei’s brilliant performance, the film’s international assemblage of talent behind the camera, and Lee’s history of exploring sexual themes.

Topics also include Focus Features’ sizzle reels, the 2007 Venice Film Festival, and the surprising Focus film that unites our three THOB miniseries so far.

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137 – Live By Night

After landing a Best Picture winner that famously left him without a Best Director nomination for Argo, Ben Affleck made his director-star return in 2016 with Denis Lehane adaptation Live By Night. Affleck cast himself as a criminal caught between the Irish and Italian mobs in Tampa (with an ensemble that included Chris Messina, Zoe Saldana, and Elle Fanning) and is a muddied mess of mob movie tropes. The film shuffled release dates and opened with a whiff at the end of the year, failing to catch audiences amid a packed Oscar season and its own floundering reviews. Live By Night was forgotten and out of theatres once nominations arrived.

This episode, we talk about Affleck’s successes and stumbling blocks, including our own conflicting feelings about him as an actor, director, and celebrity. We also look back at Affleck’s shocking Best Director snub, his habitual casting of himself shirtless, and Warner Bros. disappointing 2016 which also included the introduction of Batfleck.

Topics also include our Top 10 films of 2016, Affleck’s meta casting in Gone Girl, Sienna Miller facial blindness.

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