Amy Adams – This Had Oscar Buzz

275 – The Woman in the Window (Patreon Selects)

We’re wrapping up our run of Patreon Selects episode with a real doozy! Originally intended for 2019, The Woman in the Window was meant as a prestige adaptation of a popular thriller, packing quite the pedigree. With the attached talents of director Joe Wright, writer Tracy Letts, and star Amy Adams (along with a stellar supporting cast), the film follows an agoraphobic who witnesses a murder across the street, setting off a mystery of mistaken identities and skewed perceptions of reality. Then, it was hit by a rapid succession of misfortunes including the Disney-Fox merger, a cringe-inducing exposé on author A.J. Finn, and, well, the pandemic.

This episode, we talk about what went wrong and what might have been watered down by the Tony Gilroy reshoots. We also discuss Adams’ recent run of disappointing roles, our hopes for Nightbitch later this year, and Jennifer Jason Leigh joins our Six Timers Club!

Topics also include the emergence of Fred Hechinger, Julianne Moore’s brief boozy performance, and the film’s somewhat unceremonious Netflix drop.

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234 – Dear Evan Hansen (with Adam Grosswirth!)

To settle your post-Oscar hangover, we’re cracking open the Class of 2021 films this week and we’ve invited Muppeturgy co-host Adam Grosswirth to join us. Dear Evan Hansen follows a titular teen battling severe social anxiety, who fabricates a friendship with his bully after he dies by suicide, and faces the consequences of his lie when he goes viral. After emerging victorious from the 2017 Tonys with a Best Musical win and cementing star Ben Platt’s performance into theatre legend, the musical was destined for a whole other kind of THOB legend. Once the trailer dropped, skepticism and mockery of the near-30 Platt playing a teen went rampant, and vicious reviews made the film DOA.

This episode, we unpack the many problems inherent to the material and the attempts to soften them on film that only… make more problems. We also discuss the 2017 Tony season, Julianne Moore attempting the risk of a singing role, Amy Adams disappointing recent years, and the origins of the songwriting oeuvre of Benj Pasek and Justin Paul.

Topics also include The Politician, director Stephen Chbosky’s association to multiple failed movie musicals, and orchard confusion.

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Mail Bag: Vol. 2

And we’re back with the conclusion of our mailbag! This time, we are talking about a few Oscar What Ifs: what new categories should Oscar adopt? what if a different actress had won Supporting Actress in 2005? what if there was a Best Actress season of Survivor? We also answer your questions about the podcast, including our ongoing cash bets against eachother, what episodes would be on our Known For, and whether its more fun/interesting to discuss bad or good movies. Topics also include the best and worst acting winners of this century, nominee reaction shots, and character descriptions of acting nominees on the telecast.

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134 – Big Eyes (with Jorge Molina)

After years of cast announcements, a biopic of painter Margaret Keane escaped development hell thanks to director Tim Burton and Oscar hopeful Amy Adams with 2014′s Big Eyes. A departure from Burton’s late-career big-budget preexisting IP efforts, the film promised a showcase for Adams that could earn her that elusive Oscar after her previous five nominations. This week, writer and Just To Be Nominated creator Jorge Molina joins us to talk about the film’s underwhelming insight into Margaret Keane and its wild miscasting of Christoph Waltz as her scheming husband that took credit for her work.

This episode we look at the diminishing returns of Tim Burton’s career, from a filmmaker formative to the taste of a generration of young cinephiles to the forgettable spectacle that fills his current era. We also discuss how close Adams might have been to a win in her nominations, the biopic screenplays of Scott Alexander and Larry Karaszewski, and the sparse lyrics of Lana Del Rey’s Globe-nominated title song.

Topics also include the year of Alejandro González Iñárritu, Alfonso Cuarón, and Guillermo Del Toro arrived as a lasting Oscar narrative for Mexican filmmakers, previous nominations for Burton films, and when they handed out craft category Oscars in the aisles.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil
Jorge: @colormejorge
Just To Be Nominated: @JTBNpodcast

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