308 – The Monuments Men

With another George Clooney film on the horizon with Wolfs, it’s time to revisit the diminishing returns of his directorial career. In the 2013 season, his WWII quasi-comedy true story ensemble film The Monuments Men was an on-paper awards magnet. With a cast that included Clooney, Matt Damon, Cate Blanchett, John Goodman, and Bill Murray as a team attempting to rescue centuries worth of art from destruction by the Nazis, the film released two underwhelming trailers before being punted into the next year. Released in February 2014, the film made much more money than you probably remember, but failed as an awards vehicle.

This episode, we rehash Clooney’s directorial career and discuss the film’s struggle in the editing room. We also talk about the film’s mismatching of its stars into pairs, Jean Dujardin’s Oscar run with The Artist, and Clooney’s reaction to Tarantino saying he’s not a movie star.

Topics also include Drunk History, Tim Walz’s summer playlist, and Alexandre Desplat.

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093 – The Painted Veil (Naomi Watts – Part Two)

Our second episode on the Oscar trajectory of Naomi Watts brings us to 2006’s The Painted Veil, a W. Somerset Maugham adaptation set during a cholera outbreak in 1920s China. Watts starred opposite Edward Norton as a combative English couple whose love rekindles after an affair, with the actress’s then-boyfriend Liev Schreiber as the other man. The film reminds of similar period costume dramas that once was thought to be prime Oscar fodder, but became another example of how that tide has turned in recent years.

However, The Painted Veil was moreso plagued by an Oscar campaign that started far too late, despite lingering in predictions throughout the season. Distributed by Warner Independent, delays in post-production meant the film was forced to skip the fall festivals and arrived late to the screener pile that was crucial to Oscar campaigns in the mid-00s. This episode, we look back at the short-lived run of Warner Independent and the Best Picture winner that was almost theirs.

We also discuss Diana Rigg in a mirror opposite to her Game of Thrones character, composer Alexandre Desplat, and cult musical Chess.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil