352 – Freaky Friday

You might not expect a family-friendly live action Disney movie to draw awards attention, but not all of those types of films star Jamie Lee Curtis. In 2003, JLC starred in a Freaky Friday remake starring then ascendant teen star Lindsay Lohan. The two spin comedy gold as a tenuous mother and daughter who wake one morning to find they’ve been body swapped. Lohan show smart comedy chops as the square mother, but it was Curtis in rebellious teenage mode that earned high praise, including a Golden Globe nomination.

This episode, we talk about Lohan’s fast rise of films in the aughts and Curtis’ place in the 2003 Best Actress race. We also discuss director Mark Waters, Curtis’ prestige road to a Supporting Actress Oscar win, and the film’s aughts fashion.

Topics also include Kept, Lois Duncan books, and The Hives vs. The Vines.

351 – The War of the Roses

After a pair of successful adventure movies together with Robert Zemeckis, the trio of Michael Douglas, Kathleen Turner, and Danny DeVito got the band back together for one last time in 1989. With DeVito in the director’s chair and adapted from the Warren Adler novel, The War of the Roses follows the disintegration of one materialistic couple and the divorce battle that ensues. It’s an acidicly comedic satire that nevertheless became a holiday season hit, but failed to capture Oscar’s affection.

This episode, we talk about DeVito’s directorial career and the film’s muddled framing device. We also talk about the Oscar legacy of Driving Miss Daisy, Turner’s too brief period as a commanding leading lady, and Douglas’ emergence into serious leading man.

Topics also include Romancing the Stone‘s horniness, entering the paté business, the chandelier finale.

350 – The History Boys

We’re ringing in another year on the pod with our 350TH EPISODE!! In 2006, Broadway imported the National Theatre production of Alan Bennett’s The History Boys, an ensemble piece following a group of college hopeful students and their philosophically opposed teachers. The Broadway production became a Tony record-making sensation. However, prior to the transfer, the entire cast completed a film version that would arrive later in the year after the Broadway fever had cooled.

This episode, we talk about why this film marks a place in THOB history and the film’s complicated presentation of queerness and predation. We also talk about Richard Griffiths’ lauded performance, Fox Searchlight’s busy 2006, and our favorites from the past year of the show.

Topics also include the mixed bag of 2006 contenders, the successful young male cast, and college admissions culture.

349 – The Deep End (with Bobby Finger!)

We’re thrilled to welcome back author and Who? Weekly co-host Bobby Finger this week to talk about a fun modest thriller that helped turn one of our favorites into an industry darling. In 2001, director duo Scott McGehee and David Siegel brought thriller adaptation The Deep End to Sundance starring queer art cinema icon Tilda Swinton. As a mother who goes to great lengths to protect her closeted teenage son who she suspects of murdering his older lover, Swinton is a revelation and perhaps gave the first signs that she was at home in traditional fare as she was in the avant garde.

This episode, we talk about our love for Swinton and she joins our Six Timers Club. We also talk about the wide-reaching but under-discussed filmography of McGehee/Siegel, Goran Visnjic’s moment in time, and Lake Tahoe as a thriller vibe.

Topics also include Joe’s ABC era, our favorite Tilda performances, and the 2001 Best Actress race.