What was it that placed a light comedy like Morning Glory on early Oscar predictions in 2010? Was it the potential for a morning news riff on Broadcast News brilliance? The ascendancy of Rachel McAdams that we knew would eventually pay off with an acting nomination? Or the late career turn as journalist curmudgeon from Harrison Ford, who in recent years has generated Oscar talk for even The Force Awakens? Turns out it was a little bit of all of those things.
However, Morning Glory quickly faded from Oscar prognosticators radar when it opened to quite disappointing box office and middling reviews. Unfortunately, the film never quite satisfies on its promise, even with a winning cast that also includes an underserved Diane Keaton and pre-uberhip era Jeff Goldblum. For McAdams, it would take being in a Best Picture frontrunner to land that first nomination we had been expecting, but Morning Glory at least has a few vocal fans.
This week, we feel the rain on our skin as we talk about the specific brand of pop optimism given to us by Natasha Bedingfield, the genius of screenwriter Aline Brosh McKenna, and Diane Keaton open-mouth kissing a frog.
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