{"id":990,"date":"2023-09-04T17:37:13","date_gmt":"2023-09-04T17:37:13","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=990"},"modified":"2023-09-04T17:37:14","modified_gmt":"2023-09-04T17:37:14","slug":"254-the-killing-of-a-sacred-deer","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2023\/09\/04\/254-the-killing-of-a-sacred-deer\/","title":{"rendered":"254 – The Killing of a Sacred Deer"},"content":{"rendered":"\n
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Some might call Yorgos Lanthimos’ Oscar ascent an unlikely one, given the oddness at the core of his films. But with the Foreign Language Feature nomination for the explicit Dogtooth<\/em> and the Original Screenplay for The Lobster<\/em>, the Greek auteur cemented his status in the Oscar club. A victory lap of sorts came with The Killing of a Sacred Deer<\/em> in 2017, returning Lanthimos to Cannes competition with the pedigree of Colin Farrell and Nicole Kidman. But any expectation that the film might be another Academy affirmed oddity all but evaporated when Cannes audiences discovered a bloody and deeply strange (even for Lanthimos) modern fable about a father given an otherworldly, violent demand from a deceased patient’s son.<\/p>\n\n\n\n

This episode, we talk about our anticipation for Lanthimos’ Poor Things<\/em> this season and the elements that make this film so divisive. We also talk about Barry Keoghan’s brilliant breakthrough performance, Alicia Silverstone’s caramel tart, and the film career of character actor Bill Camp (new bet alert!).<\/p>\n\n\n\n

Topics also include the now-defunct Executive Committee, Kidman smoking while gardening, and 2017 Cannes Film Festival.<\/p>\n\n\n\n

Don’t forget to sign up for our Patreon, This Had Oscar Buzz: Turbulent Brilliance over at patreon.com\/thishadoscarbuzz<\/a>!!<\/p>\n\n\n\n

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@Had_Oscar_Buzz<\/a>
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Some might call Yorgos Lanthimos’ Oscar ascent an unlikely one, given the oddness at the core of his films. But with the Foreign Language Feature nomination for the explicit Dogtooth and the Original Screenplay for The Lobster, the Greek auteur cemented his status in the Oscar club. A victory lap of sorts came with The … Continue reading “254 – The Killing of a Sacred Deer”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[5,1386,1385,1372,172,39,3,167,6,1387,1388,1384],"class_list":["post-990","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-academy-awards","tag-alicia-silverstone","tag-barry-keoghan","tag-bill-camp","tag-cannes-film-festival","tag-colin-farrell","tag-movies","tag-nicole-kidman","tag-oscars","tag-raffey-cassidy","tag-sunny-suljic","tag-yorgos-lanthimos"],"_links":{"self":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts\/990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/comments?post=990"}],"version-history":[{"count":1,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":992,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts\/990\/revisions\/992"}],"wp:attachment":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/media?parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/categories?post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/tags?post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}