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This week, we are looking at the work of director Terence Davies and his 2000 literary adaptation of The House of Mirth<\/em>. Based on the classic Edith Wharton novel, the film casts Gillian Anderson as Lily Bart, a woman who tragically fails to navigate the cruelties of New York high society at the turn of the century. The film earned strong reviews for Davies (rebounding from his adpatation misfire The Neon Bible<\/em>) and Anderson (still flying high with her Emmy-winning performance on The X-Files<\/em>), but a small late year release made this one a bigger hit with critics than it ultimately was for the Academy.<\/p>\n<\/div>\n We look back at the 200 Best Actress lineup, and discuss how Anderson might have fallen victim to an Academy still too willing to categorized television stars as just television stars and how indie distributor Sony Pictures Classics (rightly) had another awards priority. We also discuss how costume dramas went out of fashion as Best Picture contenders, the film\u2019s spectacular supporting cast, and the 2000 Costume Design nominees.<\/p>\n<\/div>\n Topics also include to extinct Village Voice poll, the British Independent Film Awards, and the 2000 Toronto International Film Festival.<\/p>\n Follow Us on Twitter!\n\n
\n@Had_Oscar_Buzz<\/a>
\nJoe: @joereid<\/a>
\nChris: @chrisvfeil<\/a><\/p>\n<\/div>\n