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Richard Curtis arrived in the early 90s with his Oscar-nominated screenplay for\u00a0Four Weddings and A Funeral<\/i>\u00a0and immediately cemented a heartwarming brand of romantic British fare. In the 2000s, he leaped to the director\u2019s chair as well, with a streak that ended in this week\u2019s surprise box office bomb: 2013\u2032s\u00a0About Time<\/i>. Once again, deputy editor of VanityFair.com and Little Gold Men co-host Katey Rich returns as a guest to discuss the film that stars Domhnall Gleeson as lovelorn time traveler and Rachel McAdams as the object of his affection.<\/p>\n
While we are divided on the film\u2019s sometimes uncomfortable mechanics as a love story,\u00a0About Time<\/i>\u00a0reveals itself as a sentimental smell-the-roses family story. But audience and critical disinterest took this one out of its season pretty quickly. This week, we discuss the Richard Curtis ethos, Gleeson\u2019s quite charming screen persona, and the stacked lineup at the 2013 New York Film Festival.<\/p>\n
Topics also include McAdams\u2019 career pre and post-Oscar nomination, slight softboy British actor crushes, and the foremost question of our time:\u00a0\u201cis<\/i>\u00a0all lost?\u201d<\/p>\n
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\n@Had_Oscar_Buzz<\/a>
\nJoe: @joereid<\/a>
\nChris: @chrisvfeil<\/a>
\nKatey: @kateyrich<\/a><\/p>\n