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A film that uses Pale Blue Dot<\/i> as a quasi-pickup line and features a couple aligning their sex life with 9\/11, Men, Women & Children<\/i> is likely one of the most maligned films we’ve ever discussed. Directed by Jason Reitman and adapted from the novel by Chad Kultgen, the film stars a large ensemble of familiar faces as several families coping with love, sex, and identity in the age of Pornhub and Ashley Madison. Debuting at TIFF in 2014, the film faced an immediate death of scathing reviews and minimal box office, further diminishing Reitman’s once redhot Oscar profile.<\/p>\n
This week, we discuss the film’s dated perspective and lack of nuance in its characterizations that make the film such a misfire, and whether or not we love Reitman only when Diablo Cody’s name is attached. We also take a look at the film’s ensemble of likely future nominees such as Ansel Elgort and Kaitlyn Dever, another 2014 film’s crass Oscar campaign, and Adam Sandler’s closest attempt at an Oscar-chasing role (and another performance that we both consider his best).<\/p>\n
Last call for Mailbag questions, listeners! Send us your questions to @Had_Oscar_Buzz or hadoscarbuzz@gmail.com<\/a>!<\/p>\n Follow Us on Twitter!
\n@Had_Oscar_Buzz<\/a>
\nJoe: @joereid<\/a>
\nChris: @chrisvfeil<\/a><\/p>\n