{"id":1569,"date":"2026-10-05T09:00:00","date_gmt":"2026-10-05T09:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1569"},"modified":"2026-10-04T21:35:35","modified_gmt":"2026-10-04T21:35:35","slug":"407-destroyer","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2026\/10\/05\/407-destroyer\/","title":{"rendered":"407 – Destroyer"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

In 2018, we were rooting for the comeback of director Karyn Kusama, emerging with the promising crime thriller Destroyer<\/em>. Centering on Nicole Kidman playing against type as a grizzled investigator haunted by a previous undercover case gone wrong, the film applies a serpentine structure to its breed of hard boiled LA noir to mixed results. After receiving a mixed reaction on the festival circuit but praise for Kidman’s performance, the film was one of several 2018 Annapurna Pictures films that struggled to gain momentum.<\/p>\n\n\n\n

This episode, we talk about the strength of Kidman’s performance and the unfortunate fate that met some of Kusama’s films. We also talk about the film’s baffling ending, Sebastian Stan as Kidman’s hot love interest, and Kidman going ham on Bradley Whitford and Tatiana Maslany.<\/p>\n\n\n\n

Topics also include “deglam” Oscar campaigns, The Invitation<\/em>, and Kidman’s Golden Globe nomination.<\/p>\n