{"id":1461,"date":"2026-02-23T09:00:00","date_gmt":"2026-02-23T09:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1461"},"modified":"2026-02-23T02:31:13","modified_gmt":"2026-02-23T02:31:13","slug":"380-the-company","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2026\/02\/23\/380-the-company\/","title":{"rendered":"380 – The Company"},"content":{"rendered":"\n
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After the tremendous success and Oscar comeback for Robert Altman with 2001’s Gosford Park<\/em>, the idiosyncratic director delivered a more understated work for what would become his second-to-last film, 2003’s The Company<\/em>. Set within Chicago’s Joffrey Ballet, the film follows a dance company both on and offstage, all in their sometimes less than glamour pursuit of artistry. With Neve Campbell as the star ballerina and Malcolm McDowell as the company’s boisterous artistic director, the film earned positive reviews but its subtleties make for minor Altman that seldom earned enthusiastic consensus.<\/p>\n\n\n\n

This episode, we talk about Altman’s possible second place in Director for Gosford Park<\/em> and his honorary Oscar in 2006. We also discuss Campbell developing the project and pursuing Altman, the payoff from the film casting real dancers, and the film’s shoehorned romance with James Franco.<\/p>\n\n\n\n

Topics also include “Maloja Snake,” Diane Warren: Relentless<\/em>, and dancing in the rain. <\/p>\n