{"id":1458,"date":"2026-02-16T09:00:00","date_gmt":"2026-02-16T09:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1458"},"modified":"2026-02-16T03:04:16","modified_gmt":"2026-02-16T03:04:16","slug":"379-amsterdam","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2026\/02\/16\/379-amsterdam\/","title":{"rendered":"379 – Amsterdam"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

2022’s Amsterdam<\/em> was a high profile box office dud from disgraced director David O. Russell with timely themes, a big budget, and a ton of stars. The film tells a (partly true) story about fascist maneuverings in America, with Christian Bale, John David Washington, and Margot as a friendship trio who sets out to thwart them after being reunited post-WWII. Though the film earned some fans like critic Richard Brody, it received a somewhat indifferent release by 20th Century Studios and was quickly out of theatres.<\/p>\n\n\n\n

This episode, we talk about the film’s scattered look at timely themes and it’s very quiet release. We also discuss Robbie’s high wire performance in Babylon in the same year, Taylor Swift’s brief (and much memed) role, and Robert De Niro joins our Six Timers Club.<\/p>\n\n\n\n

Topics also include Best Makeup and Hairstyling, Emmanuel Lubezki’s light resume after winning 3 Oscars, and Drunk History<\/em>.<\/p>\n