{"id":1423,"date":"2025-12-01T09:00:00","date_gmt":"2025-12-01T09:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1423"},"modified":"2025-11-30T21:03:05","modified_gmt":"2025-11-30T21:03:05","slug":"369-im-thinking-of-ending-things","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2025\/12\/01\/369-im-thinking-of-ending-things\/","title":{"rendered":"369 – i’m thinking of ending things"},"content":{"rendered":"\n
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This week, we are talking about Charlie Kaufman in the director’s chair and how our thoughts have settled on what’s probably his most divisive film. In 2020, Kaufman returned to directing by adapting Iain Reid’s psychologically intense i’m thinking of ending things<\/em>, told from the perspective of an unnamed woman visiting her new boyfriend’s rural home. With Jessie Buckley and Jesse Plemons at the forefront, the film folds in on itself for daring look at male dissociation.<\/p>\n\n\n\n

This episode, we talk about our shifting thoughts on the film and the pricklier reception to Kaufman’s directorial efforts vs. his screenwriting credits. We also talk about Buckley’s swift rise after Wild Rose<\/em>, Plemons’ television credits, and the film’s use of Pauline Kael.<\/p>\n\n\n\n

Topics also include hot Oklahoma!<\/em>, media consumption, and Toni Collette gets her Six Timers.<\/p>\n