{"id":1329,"date":"2025-05-19T02:00:00","date_gmt":"2025-05-19T02:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1329"},"modified":"2025-05-19T00:20:48","modified_gmt":"2025-05-19T00:20:48","slug":"342-strictly-ballroom-festival-fever","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2025\/05\/19\/342-strictly-ballroom-festival-fever\/","title":{"rendered":"342 – Strictly Ballroom (Festival Fever!)"},"content":{"rendered":"\n
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This week, Festival Fever gives us our first Baz! Strictly Ballroom<\/em> gave then-stage director Baz Luhrman his debut film, one of a number of Australian comedies that would achieve cult followings in the US. But this tale of young ballroom dancers who take artistic license and fall in love on the way also became a hit at the Toronto International Film Festival, winning the coveted People’s Choice Award. With a spring release the next year, the film is the only one of Luhrman’s to not be nominated by Oscar in any category.<\/p>\n\n\n\n

This episode, we talk about the maximalist appeal of Baz and the road to TIFF’s People’s Choice Award becoming such an Oscar predictor. We also discuss the film’s first success as a midnight film in Cannes’ Un Certain Regard section, star Tara Morice’s exquisite performance, and the film’s surprise strong showing with BAFTA.<\/p>\n\n\n\n

Topics also include Kath & Kim<\/em>, “Time After Time,” and the 1993 Golden Globe musical\/comedy lineup.<\/p>\n\n\n\n

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