{"id":1300,"date":"2025-04-14T14:00:00","date_gmt":"2025-04-14T14:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1300"},"modified":"2025-04-14T00:46:46","modified_gmt":"2025-04-14T00:46:46","slug":"337-to-the-wonder","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2025\/04\/14\/337-to-the-wonder\/","title":{"rendered":"337 – To the Wonder"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

With the whispers and rumors that Terrence Malick’s Jesus film The Way of the Wind maybe possibly perhaps who knows could finally premiere this year after filming in 2019, we thought it was time to discuss his work. One year after The Tree of Life earned Oscar nominations and the Palme d’Or, Malick had perhaps his fastest turnaround with To The Wonder. A semi-autobiographical tale of a cross-continental love affair souring once it reaches America, the film starred Ben Affleck, Olga Kurylenko and Rachel McAdams as the onscreen love triangle. But once the film premiered at the Venice Film Festival, it earned some of Malick’s harshest notices to date.<\/p>\n\n\n\n

This episode, we discuss the mixed reception around Malick’s post-Tree of Life work and our own divided thoughts on the film. We also discuss the several famous names left on Malick’s cutting room floor, Javier Bardem’s performance as the town priest, and Rachel McAdams joins our Six Timers Club.<\/p>\n\n\n\n

Topics also include Roger Ebert’s final review, Kurylenko as an action star, and “to the wonder, to the walls.”<\/p>\n