{"id":1293,"date":"2025-03-31T14:00:00","date_gmt":"2025-03-31T14:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1293"},"modified":"2025-03-31T02:26:27","modified_gmt":"2025-03-31T02:26:27","slug":"335-jersey-boys-with-tyler-coates","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2025\/03\/31\/335-jersey-boys-with-tyler-coates\/","title":{"rendered":"335 – Jersey Boys (with Tyler Coates!)"},"content":{"rendered":"\n
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Ooh wee ee ooh ooh ooh ooh wah, Gary! It’s about time we talked about another musical and we’ve got a first time guest this week to join us! Writer Tyler Coates is here to talk about 2014’s Jersey Boys<\/em>, the screen adaptation of the Tony winning jukebox musical charting the rise of Frankie Valli and the Four Seasons. The film was Clint Eastwood’s return to the cinema after one of his longest directorial sabbaticals, turning out to be a mild summer counter programming misfire. But a few months later, Eastwood would rush American Sniper<\/em> into a limited release before the Academy deadline, leaving Jersey Boys<\/em> quickly forgotten.<\/p>\n\n\n\n

This episode, we talk about jukebox musicals onscreen and the casting of several stage stars in the film, including Tony winner John Lloyd Young as Valli. We also discuss late stage Eastwood, the film’s flat rendering of midcentury tunes, and the same-day AFI premiere’s of Selma<\/em> and Sniper<\/em>.<\/p>\n\n\n\n

Topics also include the 2004 Tony Awards, Joe Pesci as narrative device, and Letterman as Oscar host.<\/p>\n