{"id":1290,"date":"2025-03-24T14:00:00","date_gmt":"2025-03-24T14:00:00","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1290"},"modified":"2025-03-24T00:45:10","modified_gmt":"2025-03-24T00:45:10","slug":"334-the-french-dispatch","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2025\/03\/24\/334-the-french-dispatch\/","title":{"rendered":"334 – The French Dispatch"},"content":{"rendered":"\n
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We’ve got a new Wes Anderson movie on the horizon, so why not revisit one of his more divisive films: 2021’s The French Dispatch<\/em>. The film features a bursting murderer’s row of cast members to fill out Anderson’s ode to journalism, a triptych of stories all set within the world of a fictional magazine. Originally promised for 2020’s Cannes Film Festival and delayed more than a year by COVID, the film arrived to American audiences and a growing faction of those growing restless with Anderson’s whole deal. <\/p>\n\n\n\n

This episode, we talk about our growing appreciation for the film since release and Anderson’s “nesting doll” approach to storytelling. We also discuss Jeffrey Wright’s celebrated performance, Christoph Waltz’s cameo that lands him in our Six Timers Club, and Anderson’s Oscar history.<\/p>\n\n\n\n

Topics also include the 2021 Production Design nominees, Anderson’s win for Live Action short, and the weird 2021 official Globes tweets.<\/p>\n