{"id":1065,"date":"2024-02-05T15:22:38","date_gmt":"2024-02-05T15:22:38","guid":{"rendered":"https:\/\/fightinginthewarroom.com\/THOB\/?p=1065"},"modified":"2024-02-05T15:22:39","modified_gmt":"2024-02-05T15:22:39","slug":"274-certified-copy-patreon-selects","status":"publish","type":"post","link":"https:\/\/fightinginthewarroom.com\/THOB\/2024\/02\/05\/274-certified-copy-patreon-selects\/","title":{"rendered":"274 – Certified Copy (Patreon Selects)"},"content":{"rendered":"\n
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Our patrons said we must stay in Tuscany! This week, we’ve got another Patreon Selects episode and it has us talking about one of our least favorite Oscar years. In 2010, Abbas Kiarostami returned to Cannes with yet another masterpiece in Certified Copy, a dense and transfixing musing on reproductions of art, authenticity, and perception. The film didn’t release stateside until 2011, but did earn Juliette Binoche Best Actress at Cannes and a wide range of critical response, from befuddled to enraptured. But Certified Copy became more of a critical favorite than Oscar hopeful, while a different Iranian filmmaker, Asghar Farhadi, would win the country’s first international Oscar for A Separation.<\/p>\n\n\n\n

This episode, we talk about Binoche’s career including her mixed bag of American projects. We also talk about the film’s slippery presentation of reality and role-play, the Iranian New Wave and Iran’s Oscar history, and the 2010 Cannes Film Festival.<\/p>\n\n\n\n

Topics also include other 2011 favorites in a bad Oscar year, coffee shop ladies, and Cannes acting prizes.<\/p>\n\n\n\n

Follow Us on Twitter!
@Had_Oscar_Buzz<\/a>
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Chris: @chrisvfeil<\/a><\/p>\n

https:\/\/media.blubrry.com\/3563080\/fightinginthewarroom.com\/THOB\/EP\/THOB_EP_274_Certified_Copy_-_Patreon_Selects.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: RSS<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Our patrons said we must stay in Tuscany! This week, we’ve got another Patreon Selects episode and it has us talking about one of our least favorite Oscar years. In 2010, Abbas Kiarostami returned to Cannes with yet another masterpiece in Certified Copy, a dense and transfixing musing on reproductions of art, authenticity, and perception. … Continue reading “274 – Certified Copy (Patreon Selects)”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1513,5,12,172,1512,6,1514],"class_list":["post-1065","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-abbas-kiarostami","tag-academy-awards","tag-best-actress","tag-cannes-film-festival","tag-juliette-binoche","tag-oscars","tag-william-shimell"],"_links":{"self":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts\/1065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/comments?post=1065"}],"version-history":[{"count":1,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts\/1065\/revisions"}],"predecessor-version":[{"id":1067,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/posts\/1065\/revisions\/1067"}],"wp:attachment":[{"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/media?parent=1065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/categories?post=1065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fightinginthewarroom.com\/THOB\/wp-json\/wp\/v2\/tags?post=1065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}