312 – Labor Day

With Saturday Night currently in theaters, we are revisiting the films of Jason Reitman for one of his biggest flops. Adapted from the novel by Joyce Maynard, 2013’s Labor Day casts Kate Winslet as a grieving mother who falls in love with the escaped convict (played by Josh Brolin) who hides out in her and her son’s home. The melodrama was something of a creative pivot for Reitman, but received poor reviews at festivals before stumbling towards a qualifying release. A Golden Globe nomination for Winslet was the end of the awards road for the film.

This episode, we talk about what makes the film so frustrating and Reitman’s recent output. We also talk about Brolin after his Oscar nomination for Milk, Winslet between her win for The Reader and nomination for Steve Jobs, and the 2013 Golden Globes.

Topics also include Friendly’s, No Country for Old Men supporting performances, and Golden Globe predictions.

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030 – Brothers

Our episode this week is on a film that once dominated the earliest Oscar predictions for 2009: Jim Sheridan’s American remake of Brothers. Led by Tobey Maguire, Jake Gyllenhaal, and Natalie Portman, the film repurposed Susanne Bier’s film as another in a line of film’s to take on the war in Afghanistan – and like many of its predecessors, it failed with Oscar. Except this one stood in stark contrast to that year’s major Oscar story, The Hurt Locker.

Sadly, Brothers fell flat despite its promising pedigree. This week, we discuss the film’s three stars (a bug-eyed Maguire, Gyllenhaal in hottie transition, and Portman in limbo between Star Wars and Black Swan) and Sheridan’s successful Oscar history, and the HFPA’s 2000s love story with U2. And naturally, we get sidetracked on talk of kitchen and Batman soundtracks.

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil