299 – The Matrix Resurrections

This week’s film has Joe and Chris on opposite sides of a divisive reception. The Matrix not only revolutionized genre filmmaking in 1999, but it resulted in a resounding Oscar success. Reception to its first two sequels in 2003 was decidedly unappreciative, but the franchise has received some critical reassessment in the two decades since. Enter 2021’s The Matrix Resurrections, a COVID-delayed and incredibly meta revisiting of The Wachowski’s science fiction world, this time with only Lana Wachowski at the helm. The last of Warner Bros.’ films to be released simultaneously in theaters and online during the pandemic, Resurrections nearly cracked craft categories, but its timing proved unfortunate.

This episode, we talk about Oscars relationship to awarding franchises and overlooking later installments. We also talk about our opposing points of view on the film, how the film incorporates new cast members as stand-ins for the original lineup, and the film’s bold meta elements.

Topics also include the late 2021 box office, gay villainy, and doomscrolling.

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Joe: @joereid
Chris: @chrisvfeil

075 – Cloud Atlas

We’re bringing 2019 to a close with another Listeners’ Choice, and our listeners have chosen perhaps what will be our most daunting title yet: 2012′s interconnected science fiction opus from Lana & Lilly Wachowski and Tom Tykwer, Cloud Atlas! This tale of several stories spanning generations, genres, and continents launched its Oscar hopes with a jaw-dropping, mega-sized trailer, and lost them just as quickly with an extremely divisive critical reception at TIFF. Led by Tom Hanks and Halle Berry, the film takes massive narrative and emotional leaps that were ultimately too much for Oscar and general audiences.

But you can consider both Chris and Joe as firmly in the positive for this film, while also accepting of its ambitious flaws. This week, we spend the majority of this episode unraveling the many threads and issues within the film (Yellow face makeup, its near three hour length, its dizzying construction), and just what stirs our affection for it (its spiritual convictions, general audacity, and of course “The Cloud Atlas Sextet”).

Topics also include Ben Whishaw’s whittle butt, Hurricane Sandy, and who would play our own personal Old Georgies. You true-true-ly chose a great movie for us, and we love you all the more for it!

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil