379 – Amsterdam

2022’s Amsterdam was a high profile box office dud from disgraced director David O. Russell with timely themes, a big budget, and a ton of stars. The film tells a (partly true) story about fascist maneuverings in America, with Christian Bale, John David Washington, and Margot as a friendship trio who sets out to thwart them after being reunited post-WWII. Though the film earned some fans like critic Richard Brody, it received a somewhat indifferent release by 20th Century Studios and was quickly out of theatres.

This episode, we talk about the film’s scattered look at timely themes and it’s very quiet release. We also discuss Robbie’s high wire performance in Babylon in the same year, Taylor Swift’s brief (and much memed) role, and Robert De Niro joins our Six Timers Club.

Topics also include Best Makeup and Hairstyling, Emmanuel Lubezki’s light resume after winning 3 Oscars, and Drunk History.

378 – Being Flynn

Is the “buzzy literary adaptation to Oscar bonafide” pipeline kaput? This week, we’ve got a forgotten, pre-production-buzzy title on deck: 2012’s Being Flynn! Based on Nick Flynn’s memoir Another Bullshit Night in Suck City, the film follows Paul Dano as the author grappling with addiction, grief, and an absent, addict father played by Robert De Niro. While critics praised De Niro’s work as a return to form, the film quickly died at the box office without strong reviews or the noise of a festival launch.

This episode, we talk about De Niro’s eventual Silver Linings Playbook nomination in the same year and his connection to the film’s director Paul Weitz. We also discuss post-Little Miss Sunshine Dano, Julianne Moore gets the rare Ten Timers Club, and the film’s Weitz-ian approach to heavier material.

Topics also include early aughts icon Olivia Thirlby, the film’s title downgrade, and Judd Hirsch’s The Fablemansnomination.

345 – Great Expectations

After his A Little Princess adaptation earned a duo of Oscar nominations, Mexican director Alfonso Cuarón followed that up with another literary adaptation, a modernization of Charles Dickens’ Great Expectations. With hot young stars Ethan Hawke and Gwyneth Paltrow as the central lovers and Oscar winners Anne Bancroft and Robert De Niro in support, the film transplanted Dickens’ social climbing classic to America’s southern coast and the New York City art scene. With some behind-the-scenes struggle and middling results, the film was pushed from its planned Christmas 1997 release into January, still eclipsed by Titanic.

This episode, we talk about the film’s modernized mixed bag and Cuarón before Y Tu Mamá También. We also discuss the Christmas 1997 trend of drawing a naked lady, the Best Actress race when Bancroft won for The Miracle Worker, and Paltrow in the leadup to her Oscar win.

Topics also include Tori Amos, voiceover narration, and late 90s Donna Karan.