Patricia Clarkson – This Had Oscar Buzz

199 – Shutter Island

This episode, we return to the work of director Martin Scorsese, with one of his very few films to receive zero Oscar nominations, 2010′s Shutter Island. The film was Scorsese’s highly anticipate follow-up to The Departed after finally securing his overdue Oscar win, and reunited him with that film’s star Leonardo DiCaprio. Adapted from Dennis Lehane’s novel about a WWII veteran investigating a woman’s disappearance from an island-bound mental institution, the film allowed Scorsese to indulge in Hitchcock and Asian horror genre tropes alike. However, Paramount’s financial woes couldn’t afford the awards campaign cost for such a behemoth in late 2009, and the film was pushed to February 2010.

Once released, critics were somewhat divided on the film and its somewhat cliche final twist, and another DiCaprio vehicle would earn higher praise and awards success that year: Christopher Nolan’s Inception. This episode, we discuss our own divided opinions over which 2010 DiCaprio performance we prefer and which overall DiCaprio performance we consider a favorite. We also talk Patricia Clarkson’s post-Oscar nomination career, the National Board of Review’s top ten of 2010, and the other few Scorsese films with no Oscar love.

Topics also include what films Paramount gave the 2009 Oscar push, the Ben Kingsley’s M4Gs nomination, and hype for next week’s massive 200th episode!

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138 – All the King’s Men

We’re finally getting around to one of the most notorious of aughts era failed awards plays, Steven Zaillian’s All the King’s Men. A remake of the former Best Picture winner and originally heavily predicted in the 2005 season, the adaptation was unceremoniously punted into the following year. The next September, the film had a disastrous debut at TIFF and was in and out of theatres within a month. Incoherent and uninspired with a barking Sean Penn at the center, the film is a soup of accents and flat convolutions that makes for a flop that is more boring than cringeworthy.

Zaillian has yet to direct a film since, but we look back at his other directorial efforts like Searching for Bobby Fisher, as well as a writing career that’s paired him with a top tier of directors. This week, we look at the 2006 Toronto International Film Festival packed with successful Oscar plays and remembered for its thwarted Borat premiere. And we discuss The Departed and Scorsese’s winding road to Best Picture, almost again blocked by a stealth Clint Eastwood. Mark Ruffalo quiz alert!

Topics also include Kate Winslet’s odd lineup of 2006 titles, why Jude Law is better when not playing a traditional leading man, and the traumatic cinema experience that is Jack the Bear.

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130 – The Station Agent

For this episode, we’re returning to 2003 with the film that almost won the Listeners’ Choice for our previous 2003 miniseries: Tom McCarthy’s The Station Agent. Starring Peter Dinklage in his breakout role as Finn, a loner who inherits a vacant train station in rural New Jersey and reluctantly makes a small circle of friends with a grieving artist and food truck operator, respectively played by Patricia Clarkson and Bobby Canavale. Though a critical darling and major Sundance prize winner, scattered Oscar priorities for the film’s distriutor Miramax likely kept this one from Oscar success.

This week, we look at the 2003 Sundance Film Festival and the triptych of prized Patricia Clarkson performances that were launched there, including this film, Pieces of April, and All the Real Girls. We also explore how Clarkson was nominated for the less beloved Pieces, the film’s three nominations with SAG, and the work of Tom McCarthy.

Topics also include Michelle Williams breaking out from the Dawson’s Creek mold, early 00s independent cinema as a comforting vibe, and another round of playing Alter Egos.

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