movies – Page 20 – This Had Oscar Buzz

134 – Big Eyes (with Jorge Molina)

After years of cast announcements, a biopic of painter Margaret Keane escaped development hell thanks to director Tim Burton and Oscar hopeful Amy Adams with 2014′s Big Eyes. A departure from Burton’s late-career big-budget preexisting IP efforts, the film promised a showcase for Adams that could earn her that elusive Oscar after her previous five nominations. This week, writer and Just To Be Nominated creator Jorge Molina joins us to talk about the film’s underwhelming insight into Margaret Keane and its wild miscasting of Christoph Waltz as her scheming husband that took credit for her work.

This episode we look at the diminishing returns of Tim Burton’s career, from a filmmaker formative to the taste of a generration of young cinephiles to the forgettable spectacle that fills his current era. We also discuss how close Adams might have been to a win in her nominations, the biopic screenplays of Scott Alexander and Larry Karaszewski, and the sparse lyrics of Lana Del Rey’s Globe-nominated title song.

Topics also include the year of Alejandro González Iñárritu, Alfonso Cuarón, and Guillermo Del Toro arrived as a lasting Oscar narrative for Mexican filmmakers, previous nominations for Burton films, and when they handed out craft category Oscars in the aisles.

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133 – The Other Boleyn Girl

Heavily anticipated by Oscar predictors in fall 2007, Justin Chadwick’s historical fiction The Other Boleyn Girl paired Natalie Portman and Scarlett Johnasson as their Oscar stars were rising. But when the film was rescheduled into early 2008, all signs pointed towards a disappointment that the film ultimately proved to be. With Eric Bana as King Henry VIII, the film is a soapy and scattered take on the Boleyn sisters vying for the king’s affections. Even with the beloved Sandy Powell on costuming duties, the film’s poor reception canceled out its chances to make an impact in the 08 Oscar races.

This week, we go into Oscar’s long history of awarding films surrounding the royals and how this film is weighted with historical inaccuracies. We also dive into screenwriter Peter Morgan’s place as current royals’ biographer with an Oscar pedigree and Johansson’s long road to her two first Oscar nominations last year, beginning with her two 2003 competing performances through souring her public favor in later years.

Topics also include the Teen Choice Awards, a cringe-inducing plot turn that turns Jim Sturgess into a royal Kombucha Girl, and the musical Six.

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131 – Tea with Mussolini

No matter how hard we tried, we couldn’t keep pushing this movie aside – and Tea with Mussolini breaks through for this episode for you! The film is one of Cher’s few post-Oscar films and stars the icon opposite acting legends Maggie Smith, Judi Dench, Joan Plowright, and Lily Tomlin – all cast as ex-pat women raising a young man during WWII Italy. While the film was an arthouse hit in the early summer and earned Smith a Supporting Actress BAFTA prize, this costume drama was left forgotten come Oscar time.

This week, we’re unpacking the reemergence of Cher in the late 90s, from If These Walls Could Talk to the megasmash success of “Believe” to her iconic Grammy Record of the Year competition. We also get into the 1999 Supporting Actress and the Globes Musical/Comedy field, the only absent dame from Tea With the Dames, and director Franco Zeffirelli.

Topics also include Cher shouting about her Picasso, movies that use “Smoke Gets In Your Eyes”, and the trauma of AOL Instant Messenger.

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BONUS – Sundancing at Lughnasa

We’re bringing you a special BONUS episode to talk about all the goings on at the 2021 Sundance Film Festival! Chris and Joe both just participated in the virtual festival and have some exciting films to talk about. First, we discuss the few films eligible in this current Oscar season, including the one with (we think) the most promising prospects, Judas and the Black Messiah. Next, we look ahead at the Sundance films with awards potential such as Passing, Mass, and the biggest success of the festival, CODA. We also discuss other favorites of the festival including Censor, Together Together, Summer of Soul, and We’re All Going to the World’s Fair.

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130 – The Station Agent

For this episode, we’re returning to 2003 with the film that almost won the Listeners’ Choice for our previous 2003 miniseries: Tom McCarthy’s The Station Agent. Starring Peter Dinklage in his breakout role as Finn, a loner who inherits a vacant train station in rural New Jersey and reluctantly makes a small circle of friends with a grieving artist and food truck operator, respectively played by Patricia Clarkson and Bobby Canavale. Though a critical darling and major Sundance prize winner, scattered Oscar priorities for the film’s distriutor Miramax likely kept this one from Oscar success.

This week, we look at the 2003 Sundance Film Festival and the triptych of prized Patricia Clarkson performances that were launched there, including this film, Pieces of April, and All the Real Girls. We also explore how Clarkson was nominated for the less beloved Pieces, the film’s three nominations with SAG, and the work of Tom McCarthy.

Topics also include Michelle Williams breaking out from the Dawson’s Creek mold, early 00s independent cinema as a comforting vibe, and another round of playing Alter Egos.

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127 – Conviction

This episode, we’re looking at 2010′s Conviction starring Hilary Swank as Betty Anne Waters, a real life Massachusetts woman who earned a law degree to fight for the innocense of her brother wrongly convicted of murder. With a cast that includes Minnie Driver, Peter Gallagher, and Sam Rockwell as Betty’s jailed brother Kenny, the film received a middling festival reaction and fizzled at the box office before getting buried among Fox Searchlight’s bigger contenders. Though Swank and Rockwell respectively earned SAG and Critics Choice nominations, the film disappeared quickly.

Perhaps Conviction’s biggest stamp on Oscar culture was Swank’s appearance in that year’s formative Hollywood Reporter Actress roundtable. This episode, we unpack what makes that year’s roundtable a high bar for actress obsessives and go deep on the history of the THR Actress Roundtable. We also get into Rockwell’s unfortunate recent typecasting and the brief and impressive performances by Juliette Lewis and Clea Duvall in the film.

Topics also include Melissa Leo’s Oscar-triumphant 2010, the Oscar history of Swank vs. Bening, and Helena Bonham-Carter becoming one with her many bangles.

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126 – Reservation Road

For our first episode of the new year, we’re taking things back to the very This Had Oscar Buzz beginning. Back when this old podcast was just a single service Tumblr, the first THOB entry was 2007′s Reservation Road, a domestic drama starring Joaquin Phoenix and Jennifer Connelly as a family mourning the loss of a son in a hit-and-run and Mark Ruffalo as the assailant filled with guilt. The film dominated early predictions and went on to a dismal reception at the Toronto International Film Festival before barely opening in theatres.

This episode, we look back at Phoenix’s Best Actor campaign for Walk the Line and the I’m Still Here shenanigans that would begin the more definitive stage of his career. We also discuss Connelly’s post-Oscar career stuck in wife roles that underserve her abilities and director Terry George’s underwhelming filmography after the success of Hotel Rwanda.

Topics also include the goofy Hollywood Film Awards, Oscar’s love of stories about family tragedies, and Lifetime’s daytime talk show Attitudes.

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Mailbag Fishing In The Yemen

Happy New Year, listeners! To close out 2020, we’ve compiled all of your questions for this special mailbag episode! We kick things off by surveying the state of the current, pandemic-delayed Oscar race including First Cow’s win with New York critics. the New York Times’ 25 Greatest Actors of the 21st Century list, and how the sparse release calendar might affect the potential This Had Oscar Buzz Class of 2020. With Oscar history, we look back at Elia Kazan’s lifetime achievement award, the upcoming Academy museum, and the ripple effects of certain Best Actress races. We also discuss such THOB staples as Flora Plum and TIFF, decide which of the Four Realms we would be, and fancast our future blockbuster heist film starring actresses of a certain age titled Who Doesn’t Like Money?. Thank you listeners for all of your brilliant questions for the episode and all of your support in the past year!!

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125 – Widows

You asked for it and it’s finally here! To close the year, we are doing another Listeners’ Choice episode and the landslide victor is 2018′s Widows. The follow-up to Steve McQueen’s Best Picture winning 12 Years a Slave, Widows places Viola Davis at the head of a group of Chicago women caught in the middle of political corruption when their husbands all go down in a heist gone wrong. Highly received by early critics (including your hosts), the film disappointed at the box office and stumbled throughout the precursor season. Now and forever, Justice For Widows!

This episode, we go into the film’s mixed receptions by audiences expecting something more in line with traditional heist fare and 2018′s disconnect between the films that emerged most victorious and the film’s left on the outside. We also discuss the film’s incisive look at Chicago, Brian Tyree Henry’s incredible 2018, and how Disney’s acquisition of 20th Century Fox left this film underserved by its studio.

Topics also include Robert Duvall yelling “I’m old!”, the Bird Box phenomenon, and what other contenders came close in your Listeners’ Choice votes.

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124 – Suffragette

In 2015, the ongoing efforts to champion stories told by and about women placed large awards expectations on Sarah Gavron’s Suffragette. A fictionalized telling of the women’s suffrage movement in Britain, Suffragette stars Carey Mulligan as Maud, a laundress who begins as a passive outsider and becomes a passioned activist. But once it debuted at the Telluride Film Festival, its initial harsh reviews squashed audience urgency to head to the theatre when it opened nearly two months later.

This episode, we discuss Mulligan’s many great performances that have yet to yield a follow-up nomination to her breakthrough nomination for An Education – and we praise her upcoming work in the daring Promising Young Woman. We also discuss the heavy competition of the 2015 Best Actress race that failed to honor Mulligan among the major precursors.

Topics also include Meryl Streep’s much-buzzed performance as Emmeline Pankhurst (that ended up being little more than a cameo), the chaos of the current Globes comedy race, and another round of Alter Egos.

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