Movies for Grownups – This Had Oscar Buzz

301 – Bernie

our old friend Kevin O’Keeffe and Texas native for a very Texas movie. Debuting in 2011 but arriving in theaters, Richard Linklater’s Bernie accounts a real-life Texan wink wink bachelor Bernie Tiede (played by Jack Black), beloved by the church ladies and local community. However, he is taken in by the town villain Margie (Shirley MacLaine) and ends up convicted for her murder, but not necessarily in the court of public opinion. Though the film was recognized as comedy (especially for Black’s delicate performance), its awards history was largely left as a footnote to the McConaissance.

This episode, we talk about the different vibes of Texas cities and the film’s spectacular ensemble of real-life witnesses. We also talk about Linklater’s outsider status to the Hollywood establishment, Black’s preceding failures, and reporter Skip Hollandsworth.

Topics also include “one of them CMT girls,” Linklater’s upcoming Merrily We Roll Along, and 2012 Best Actor.

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187 – Water for Elephants

Adaptations of uberpopular novels are always ripe for awards prestige, but this week’s episode is for a film that fizzled quickly. 2011′s Water for Elephants assembled an impressive crew for the circus-set period romantic drama along with a starry cast at tricky career moments: Robert Pattinson breaking from the Twilight franchise, Reese Witherspoon on a string of unsuccessful films, and Christoph Waltz as his typecast was taking shape. Each was slightly miscast, resulting in tepid romantic fireworks and familiar narrative beats that add up to a hohum movie forgotten by the time The Artist became a somewhat atypical Best Picture winner.

This episode, we discuss Pattinson career and the power of the Twihard base, along with our thoughts on The Batman. We also go into the filmography of the film’s screenwriter Richard LaGravenese and director Francis Lawrence, and look back at Witherspoon’s rebound that came shortly after this film.

Topics also include the Teen Choice Awards, why circus films stir up awe and awards prospects, and Uggie.

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174 – All is True

In 2018, perhaps the only audience that noticed All Is True were our belove AARP Movies for Grownups awards. The film is directed by and stars Kenneth Branagh as William Shakespeare returning home to his underappreciated wife and daughters after his Globe Theatre burned to the ground mid-production, reopening wounds of unspoken family tragedy. The period drama was given an extremely quiet qualifying release that earned Judi Dench (playing Shakespeare’s wife Anne Hathaway) a Supporting Actress win from M4GS before a May release the following year received scarsely more attention than the previous season’s.

This episode, we discuss the surprisingly compelling film, and Branagh’s career as a director of spotty and often forgotten films and his chances this season with his autobiographical film Belfast. We also take a deep look at the history of the Movies for Grownups (including their wildest, but most correct call for Supporting Actress), Ian McKellen as a possible victim of a closed Oscar window, and the growing understanding of qualifying releases.

Topics also include frontrunners for this year’s M4Gs, abandoned M4Gs categories, and what if Dench played the other Anne Hathaway.

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154 – Battle of the Sexes

One year after winning Best Actress for La La Land, Emma Stone returned with an even better performance but faced even tougher competition. In Battle of the Sexes, the recent winner starred as Billie Jean King as she faced off Bobby Riggs (played by Steve Carell) in the famed titular tennis match. Directed by Little Miss Sunshine duo Jonathan Dayton and Valerie Faris, the film had a warm festival and critical reception before quickly underwhelming at the box office and hung on with mentions for Stone and Carell during the precursors.

But Battle of the Sexes was quickly put on the backburner as two of Searchlights other contenders became Best Picture (and Best Actress) heavy hitters: The Shape of Water and Three Billboards. This episode, we discuss some reservations about the film and praise the work of Stone, who go on to again outdo herself a year later with The Favourite. We also discuss Dayton/Faris’ Ruby Sparks, Billie Jean King as that Oscar season’s Real Philomena Lee, and Sarah Silverman as a stealth player.

Topics also include 2017′s Supporting Actor fifth spot in flux, the Original Song race, and hot nepotism with Louis Pullman.

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152 – De-Lovely

Birds do it, bees do it; let’s do it, let’s talk De-Lovely! Reuniting Kevin Kline with his Life As A House director Irwin Winkler, the film casts Kline as the legendary songwriter Cole Porter. Also starring Ashley Judd as his devoted wife Linda, De-Lovely caught attention for its depiction of the Porters’ marriage amid his open homosexuality and also for casting a smorgasbord of adult contemporary musicians to sing the Cole Porter songbook. But the film received middling reviews despite its soundtrack success and met the end of its awards road with Globe nominations for Kline and Judd.

This episode, we discuss how De-Lovely meets all of the boring mechanics of the musical biopic genre, and compare it to another 2004 prestige film’s depiction of a marriage with gay polyamory (and another 2004 musical biopic that is even worse). We also get into the stops and starts of MGM studios over the past few decades, the trajectory of recent Bond themes, and which of the film’s musical numbers we enjoy most.

Topics also include the Lilith Fair, the Grammy soundtrack prize, and the AARP Movies for Grownups Best Time Capsule prize.

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