379 – Amsterdam

2022’s Amsterdam was a high profile box office dud from disgraced director David O. Russell with timely themes, a big budget, and a ton of stars. The film tells a (partly true) story about fascist maneuverings in America, with Christian Bale, John David Washington, and Margot as a friendship trio who sets out to thwart them after being reunited post-WWII. Though the film earned some fans like critic Richard Brody, it received a somewhat indifferent release by 20th Century Studios and was quickly out of theatres.

This episode, we talk about the film’s scattered look at timely themes and it’s very quiet release. We also discuss Robbie’s high wire performance in Babylon in the same year, Taylor Swift’s brief (and much memed) role, and Robert De Niro joins our Six Timers Club.

Topics also include Best Makeup and Hairstyling, Emmanuel Lubezki’s light resume after winning 3 Oscars, and Drunk History.

116 – 54

1998 was a brief moment in time of Studio 54 nostalgia, thanks in part to this week’s film. Starring Mike Myers chasing prestige in a dramatic role as clubowner Steve Rubell, 54 took an inside look at the notorious, celeb-packed New York City nightclub from the eyes of a fictional bartender played by Ryan Phillippe. But no amount of modern day stars could transcend the film’s poor reviews and box office, leaving Myers’ awards hopes forgotten before the season ultimately started.

One of the many films retooled by Harvey Scissorhands, the film suffered extensive reshoots and resulted in a final film that removed its queer content and failed to capture what made this disco such a cultural flashpoint. This episode, we discuss the differences between the theatrical version and the director’s cut, along with the 1998 Best Supporting Actor race that resulted in a surprise win for James Coburn and the period’s other cases for comic actors going dramatic.

Topics also include rapping grandma Ellen Albertini Dow, the impact of Phillippe’s onscreen butt flashings, and Behind the Music.

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