Meryl Streep – This Had Oscar Buzz

353 – Mamma Mia! (w/ Jorge Molina!)

With Meryl currently on her first film set in years, what better time than to dance, jive, and generally speaking have the time of our lives. We’ve invited our friend, writer and programmer Jorge Molina to discuss the Meryl movie that didn’t get her an Oscar nomination in 2008. A post 9/11 hit on the stage, Mamma Mia! tells the story of a bride who invites three men to her wedding who might be her father, all set to the music of ABBA. The film showed off against Batman himself to become a global smash (if not one with critics), and it remains a rewatch classic.

This episode, we discuss our origins with the musical and Meryl’s other 2008 performance. We also talk about the film’s ensemble including the divine Amanda Seyfried, our favorite numbers from the film, and whose voice fares the worst when singing.

Topics also include Chris Klein’s bad audition, Tom and Rita, and downloading Oscar medleys to an iPhone.

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328 – Hope Springs

It’s been a minute since we talked about Meryl Streep, so we decided what better time than Valentine’s Day and her 2012 romantic drama Hope Springs. Streep stars alongside Tommy Lee Jones as a sexually frustrated older couple who submits to a couples therapy retreat (led by Steve Carell) hoping to rekindle their spark. Summer counterprogramming to the Batmans and the Bournes, the film performed at the box office but did not prove the type of Meryl summer smash that has earned her Oscar love.

This episode, we talk about the movie’s quaint but honest depiction of generational sexual frustration and the solid work from Streep and Jones. We also discuss the underutilization of its recognizable supporting cast, Carell joins our Six Timers, and the timeless Globes presentation pairing of Will Ferrell and Kristen Wiig.

Topics also include Sex Trips For Straight Women From A Gay Man, Meryl’s third Oscar, and love languages.

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295 – Let Them All Talk

Say it with us: confusion! In our episodes where we have discussed 2020, one of the major conversations we’ve yet to really tackle is the confusion around what films would be considered theatrical while most of the country’s theatres were closed. This week’s film occupied that undefined space: Steven Soderbergh’s ensemble comedy Let Them All Talk. Meryl Streep starred as a heralded author reunited on a cruise with old friends who may have inspired her work, played by Dianne Wiest and Candice Bergen. While at sea, conversations of art vs. commerce, authenticity, and inspiration play out in improvisational delight. But alas, no one knew whether Let Them All Talk was a movie or TV.

This week, we talk about Soderbergh’s films made for HBO Max and the Oscar nominated performances we would swap out this year in favor of the LTAT women. We also talk about Streep’s career post-The Devil Wears Prada, Wiest monologuing about the night sky, and Murphy Brown vs. Dan Quayle.

Topics also include the AARP Movies for Grownups Awards, this year’s Emmy race, and Angels in America.

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Mailbág: Goodbye 2022

We are bidding adieu to 2022 with our annual mailbag episode!! We dive into a feast of listener questions, kicked off first with a mini 20th anniversary celebration for The Hours and THOB-adjacent questions about theme parks, Drag Race, and the Emmys. We unpack the current Oscar race, including Cate Blanchett’s default status as the performance of the year, the current Best Director and Animated Feature races, and performances we loved in movies we didn’t. Topics also include performers most likely to never win despite multiple nominations, Nora Ephron’s Oscar nominations, our favorite THR Actress roundtables, the 1996 Best Actress race almost crashed by Madonna, and This Had Figure Skating Buzz.

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204 – A Prairie Home Companion (with Clay Keller)

An episode long teased has finally arrived. Screen Drafts co-host (and proud Minnesotan) Clay Keller joins us to discuss the final film from beloved auteur Robert Altman, 2006′s A Prairie Home Companion. Based on and set within the eponymous radio show, the film follows the backstage goings-on during the show’s fictionalized final live recording, with a sprawling cast of Altman regulars and newbies including Meryl Streep, Lily Tomlin, Kevin Kline, Maya Rudolph, Woody Harrelson, John C. Reilly, Lindsay Lohan, and Virginia Madsen as an angel of death. Altman would pass the November after its release, but sadly did not receive posthumous recognition for the film due to its somewhat divided reception.

This episode, we’re discussing the dual summer roles for Streep between this and The Devil Wears Prada, and we’re celebrating our tenth Streep episode! We also discuss Lohan’s turmoil at the time, Paul Thomas Anderson as a contractually obligated backup director, and Clay brings us stories from his experience as an extra on the set of the film.

Topics also include the Streep/Tomlin tribute to Altman at the previous ceremony, bad jokes, and a Screen Drafts-style ranking of the film’s best performances.

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163 – The River Wild

How do you get a studio action movie some Oscar buzz? You cast Meryl Streep in the lead role. Starring the beloved actress as a woman whose family is taken captive on a white water rafting vacation, The River Wild was a modest fall hit for director Curtis Hansen and earned Globe nominations for Streep and the film’s villain Kevin Bacon. But in a scattered Best Actress race that ultimately resulted in a steamroll for Jessica Lange for the long-shelved Blue Sky, Streep would have to continue what would become her longest period without a nomination—a whopping four years

Streep was also nominated at the first ever SAG Awards, which further compliacated the race by awarding the twice Oscared Jodie Foster for Nell. This epsiode, we dive into the film’s thrilling delights and the career of Curtis Hansen. We also discuss Bacon’s closest brushes with the awards race, David Strathairn being hot, and the most iconic movie Gails.

Topics also include which Meryl characters are tops, Six Degrees of Kevin Bacon, and Lollapalooza hats.

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135 – The House of the Spirits

By today’s standards, this week’s film stands out for its gobsmacking cast of Meryl streep, Gleen Close, Jeremy Irons, Antonio Banderas, and Winona Ryder. But back in the 90s, The House of the Spirits caught attention as both an adaptation of Isabel Allende’s beloved novel and the biggest acquisition Miramax had ever landed. Set over decades in Chile with mild mysticism and political revolution, the film whitewashed and condensed the novel into a poorly received epic long forgotten by year’s end – with Miramax enjoying their biggest success yet in Pulp Fiction.

The film was the follow-up to back-to-back Palme d’Or wins for director Bille August, after The Best Intentions and the Oscar-annointed Pelle the Conqueror. This episode, we look to Palme d”or winners for a round of Alter Egos as we discuss the film’s many problems. We discuss the false narrative of Streep vs. Close among Oscar obsessives, Ryder as a quintessentially 90s star, and Streep’s early 90s roadblocks.

Topics also include “an abundance of juices”, Irons’ expanding set of false teeth, and Close’s Oscar chances this year.

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124 – Suffragette

In 2015, the ongoing efforts to champion stories told by and about women placed large awards expectations on Sarah Gavron’s Suffragette. A fictionalized telling of the women’s suffrage movement in Britain, Suffragette stars Carey Mulligan as Maud, a laundress who begins as a passive outsider and becomes a passioned activist. But once it debuted at the Telluride Film Festival, its initial harsh reviews squashed audience urgency to head to the theatre when it opened nearly two months later.

This episode, we discuss Mulligan’s many great performances that have yet to yield a follow-up nomination to her breakthrough nomination for An Education – and we praise her upcoming work in the daring Promising Young Woman. We also discuss the heavy competition of the 2015 Best Actress race that failed to honor Mulligan among the major precursors.

Topics also include Meryl Streep’s much-buzzed performance as Emmeline Pankhurst (that ended up being little more than a cameo), the chaos of the current Globes comedy race, and another round of Alter Egos.

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107 – Prime

We’re back to discussing Meryl Streep (for the SIXTH time!) this episode for a film starring the legend opposite an actress who was overlooked for a defining work. After Oscar ignored the hyperviolent Kill Bill films and its iconic star, Uma Thurman seemed poised for future Oscar success. When she was cast opposite Streep for 2005′s Prime (in addition to a few other high profile roles that year), it looked like this could be more to Oscar’s tastes. Starring Thurman as a woman who falls for a younger man who happens to be the son of her beloved therapist, Prime ultimately was a misfire romantic comedy that quickly got forgotten.

This episode, we look at how the film is unsatisfying because it focuses too much on Bryan Greenberg as the male love interest and how it almost starred Meryl’s Oscar rival in a later season: Sandra Bullock. And we welcome Meryl to the THOB Six-Timers club and look back at the previous Streep films we have discussed.

Topics also include performer spouses of Real World castmembers, the accumulation of unhinged storylines on Boston Public, and “it’s fashion!”

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048 – Rendition

With the return of Big Little Lies to our television screens, we’re taking a look at a film starring one of the Monterey Five’s key players and her newly arrived nemesis. No, that outdoor coffee shop wasn’t the first time someone demanded answers between Reese Witherspoon and Meryl Streep – they first squared off in 2007′s Rendition. All together now: “JUST TELL ME HE’S OKAY!!”

Rendition was one of the many, many prestige titles that tried to unpack the War on Terror to underwhelming results with Oscar. But this film also had some of the highest expectations of them all due to the star wattage of Streep and newly minted tabloid staple couple Witherspoon and Jake Gyllenhaal, plus recent Foreign Language-winning director Gavin Hood at the helm. Ultimately, this film was too dull and obvious to be embraced by a critical community already impatient with these kind of very similar films, and Oscar followed suit.

This episode, we discuss more Foreign Language director successes that sparked buzz for their first English-language films in the years to come, the impact of a poor TIFF reception, and the romance that wasn’t meant to be. Get ready to try to tell those 00s anti-war films apart, because we have a quiz coming!

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