380 – The Company

After the tremendous success and Oscar comeback for Robert Altman with 2001’s Gosford Park, the idiosyncratic director delivered a more understated work for what would become his second-to-last film, 2003’s The Company. Set within Chicago’s Joffrey Ballet, the film follows a dance company both on and offstage, all in their sometimes less than glamour pursuit of artistry. With Neve Campbell as the star ballerina and Malcolm McDowell as the company’s boisterous artistic director, the film earned positive reviews but its subtleties make for minor Altman that seldom earned enthusiastic consensus.

This episode, we talk about Altman’s possible second place in Director for Gosford Park and his honorary Oscar in 2006. We also discuss Campbell developing the project and pursuing Altman, the payoff from the film casting real dancers, and the film’s shoehorned romance with James Franco.

Topics also include “Maloja Snake,” Diane Warren: Relentless, and dancing in the rain. 

330 – In Good Company (with Emily St. James!)

Oh, the quaint economic anxieties of 20 years ago! We’re tackling 2004’s seriocomic tale of “what if your much younger boss slept with your newly adult daughter” and Paul Weitz film In Good Company, and writer Emily St. James returns to the show to help us unpack it. Modest lighthearted fare, the movie pits dad-mode Dennis Quaid opposite Topher Grace as advertising sales reps in the halcyon days of magazines. While it isn’t without its charms, the film was wedged into the very end of the season and didn’t make enough waves to earn much awards love.

This episode, we talk about the film’s intergenerational dynamics and the then economic anxiety of young people taking all the boomers’ jobs. We also talk about Scarlett Johansson’s high demand after Lost in Translation, the Oscar Original Song quality gap, and Clark Gregg joins our Six Timers Club.

Topics also include dad music needle drops, The Sisterhood of the Traveling Pants, and what went down on the set of The Brutalist.

Preorder WOODWORKING by Emily St. James