360 – The Boxer

We’ve got Daniel Day-Lewis back in theaters this week with Anemone, so we’re looking back at one of his few failed Oscar bids. In 1997, Day-Lewis paired up with director Jim Sheridan for the third time in a decade for The Boxer, the tale of an IRA member and boxer released from prison in the waning days of the The Troubles. With Emily Watson as his former lover and Brian Cox as her high-ranking IRA father, the film arrived into theaters with a modest response as the world was being swept away with Titanic fever.

This episode, we talk about the Day-Lewis/Sheridan partnership and Day-Lewis’ breakout roles in the 80s before his My Left Foot Oscar. We also discuss Watson’s powerful screen presence, Cox with a full head of not-white hair, and Sheridan’s diminishing directorial returns.

Topics also include the 1997 Golden Globes, acting nominations we forget happened, and Bella Mafia.

030 – Brothers

Our episode this week is on a film that once dominated the earliest Oscar predictions for 2009: Jim Sheridan’s American remake of Brothers. Led by Tobey Maguire, Jake Gyllenhaal, and Natalie Portman, the film repurposed Susanne Bier’s film as another in a line of film’s to take on the war in Afghanistan – and like many of its predecessors, it failed with Oscar. Except this one stood in stark contrast to that year’s major Oscar story, The Hurt Locker.

Sadly, Brothers fell flat despite its promising pedigree. This week, we discuss the film’s three stars (a bug-eyed Maguire, Gyllenhaal in hottie transition, and Portman in limbo between Star Wars and Black Swan) and Sheridan’s successful Oscar history, and the HFPA’s 2000s love story with U2. And naturally, we get sidetracked on talk of kitchen and Batman soundtracks.

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