364 – Bones and All

With Halloween this week and Luca Guadagnino’s After the Hunt now in theatres, what better time to discuss the BONES! The 2022 fall festival season felt like the first real movie moment post-COVID and anticipation was high for Guadagnino reuniting with his Call Me By Your Name star, Timothee Chalamet. Bones and All was a tale of young love and primal urges, an emotional cannibalism story set in the midwest that placed Chalamet opposite the emergent Taylor Russell. Despite the film earning some devoted fans (spoiler: including us!), this gory Badlands riff was probably never going to please the Academy.

This episode, we talk about the divisive reactions that have met some of Guadagnino’s work, including this and After the Hunt. We also talk about Chalamet’s ascent towards Marty Supreme, Russell’s breakout in Waves, and our favorite Luca movies. And surprise: Chloe Sevigny Six Timers quiz!

Topics also include Mark Rylance doing his best Mr. Herbert, the film’s allegorical interpretations, and the 2022 Venice Film Festival.

169 – Suspiria

“Volk” intensifies this week, because we’re talking about Luca Guadgnino’s 2018 Suspiria remake! Diverging greatly in style and story from the Dario Argento original, Luca Guadagnino followed up his Oscar success with Call Me By Your Name with this riff on witches, post-WWII Germany, feminine power, and the art of dance. Guadagnino’s mounting pedigree stirred some to expect the film as a potential awards play, even after the first footage of the film had some losing their lunch at CinemaCon. Starring Dakota Johnson as a novice ballerina from a strict religious upbringing and Tilda Swinton in three wildly divergent roles, Suspiria ultimately proved to be too violent and esoteric for Oscar, even leaving critics divided over its very unique approach to genre.

This episode, we look back at a remake that was almost directed by David Gordon Green and starred Natalie Portman, and the rise of Dakota Johnson as a stealthily great actress. We also discuss Swinton’s Oscar win for Michael Clayton and the attempt to hide her prosthetic-aided performance as Lutz Ebersdorf as Dr. Josef Klemperer.

Topics also include “that’s not true, Ellen”, Thom Yorke’s original score, and Amazon’s patchy history as an Oscar player.

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