100 Years, 100… Snubs! – Part Three

We’ve got 20 more snubs (plus guest appearances!) on deck for another installment of 100 YEARS, 100… SNUBS!, and this episode is out for blood! We dive into the much discussed 1999 Best Original Song category, two very famous snubs that DON’T make our list, Chris’ early stumping for one highly anticipated performance this year, a 1980s genre film loved by horse girls and soft boys alike, Leslie Caron getting gaslit by puppets, falling in love from across a fish tank, and lots more!

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Chris: @chrisvfeil

170 – Holy Smoke (with Jourdain Searles)

We have two exciting returns this week! First, entertainment writer and Bad Romance co-host Jourdain Searles is joining us once again. Second, we return to the work of Jane Campion, this time for 1999′s divisive and sexually charged Holy Smoke. The film premiered in competition at the Venice Film Festival with a high pedigree: Campion reuniting with her The Piano castmember Harvey Keitel, with Kate Winslet center stage two years after Titanic. But the film was Campion’s most subversive yet, and its sometimes farcical approach to the subject of one woman’s forced deprogramming from getting involved in a cult made for a poor critical reception in the very crowded movie landscape of 1999.

This episode, we talk about our excitement for The Power of the Dog and look back at our favorites in Campion’s filmography. We also discuss Winslet’s post-Titanic career of daring, interesting character roles that led up to an underwhelming Oscar win with The Reader and Pam Grier’s brief performance in the film after her Oscar snub for Jackie Brown.

Topics also include the 1999 Best Actress race, Neil Diamond needle drops, and Harvey Keitel’s butt.

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Joe: @joereid
Chris: @chrisvfeil
Jourdain: @judysquirrels

047 – In The Cut (2003 – Part Four)

For our fourth of four films in our 2003 miniseries, we placed the responsibility squarely on you: the listener. (Please try to disregard  that Joe repeatedly refers to “readers” in this episode; to him, podcasts are books you read with your ears.) Out of a poll that included The CompanyShattered Glass, and The Station Agent, you chose director Jane Campion’s sex-charged thriller In the Cut, and a more notorious Oscar flop you could not have found. A decade after breaking ground as only the second woman ever nominated for Best Director, Campion was pretty much run out of town for this tonally deliberate meditation on sex, violence, and a sleaze-stached Mark Ruffalo expressing a penchant for cunnilingus and anilingus. Both!

Then of course there was Meg Ryan, who stepped in to replace Nicole Kidman and instead stepped in front of a firing squad made up of critics and audiences who were not ready for her to be playing a schoolteacher who gets off quite literally on her proximity to danger. When Harry Met Sally and Then Sally Went Looking for Mr. Goodbar was not the movie people wanted.

Chris and Joe discuss Meg, Mark, and Jane, as well as Jennifer Jason Leigh, “F” Cinemascores, and much more. You asked for this! And by “this” we mean “Mark Ruffalo’s visible penis.”

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@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil